Tithi in Panchang – Hindu Calendar on Friday, November 6 2026 – It is Krishna Paksha Dwadashi tithi or the twelfth day during the waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Dwadashi tithi or the twelfth day during the waning or dark phase of moon till 11 :07 AM on November 6. Then onward it is Krishna Paksha Trayodashi tithi or the thirteenth day during the waning or dark phase of moon till 11 :44 AM on November 7. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on November 6, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Uttara Phalguni or Uthram nakshatra till 5:35 AM on November 6. Then onward it is Hasta or Atham or Hastham nakshatra till 5:43 AM on November 7. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Guj...

Aghora: The Fearless Heart of Tantrism - Fear And Aghora The Sanskrit word Aghora carries within it a paradox that defines the entire path. It means "not terrible," "not fierce," or more profoundly, "free from fear." This is not a coincidence of language. The name itself is a teaching. In a tradition that is frequently misread as a worship of darkness, the very title declares its true orientation - toward light, toward wholeness, toward the dissolution of everything that divides reality into the acceptable and the unacceptable. The ancient Shri Rudrashtadhyayi contains the salutation: अघोरेभ्योऽथ घोरेभ्यो घोरघोरतरेभ्यः। सर्वेभ्यः सर्वशर्वेभ्यो नमस्ते अस्तु रुद्ररूपेभ्यः॥ aghorebhyo tha ghorebhyo ghoraghoratarebhyah sarvebhyah sarva-sarvebhyo namaste astu rudra-rupebhyah "Salutations to those forms which are peaceful, to those that are terrible, and to those that are even more intensely fierce. Salutations to all forms of Rudra, in every way and ...

Bhima and Hidimbi: Love That Never Changed the Other Person - Love Without Conditions Mahabharata is a storehouse of relationships of all kinds. It shows husband and wife, parent and child, friends, teachers, students and enemies. Some relationships are heavy with duty and expectation. Some are very natural, without commitments, without demands and without regrets. The union of Bhima and Hidimbi is one such relationship. It is raw, powerful and simple, like nature itself. The Story in Brief In Adi Parva of Mahabharata, the Pandavas escape the house of lac and go deep into the forest with their mother Kunti. There they meet Hidimbi, a Rakshasi, sister of the Rakshasa Hidimba. She sees Bhima and feels love for him. When her brother attacks the Pandavas, Bhima kills him. Hidimbi then asks Kunti and Yudhishthira to accept her as Bhima’s wife. Kunti and Yudhishthira agree, and the condition is that Bhima will stay with her until a son is born. Their son is Ghatotkacha. After this Bhima ...

Kamakaleshvari: The Goddess of Kamakala Who Embodies Creation, Beauty and Divine Union Within the vast iconographic universe of Hinduism, few forms are as philosophically layered as Kamakaleshvari, the Goddess of Kamakala. Described in the Sritattvanidhi, a comprehensive nineteenth century compendium of Hindu iconography, this eight armed form belongs to the Srividya tradition, one of the most refined streams of Shakta worship that venerates the Divine Mother as the source of the universe. The Concept of Kamakala Kamakala is not merely a name but a profound metaphysical idea. It represents the subtle point of union between Shiva and Shakti, consciousness and energy, from which creation unfolds. In Srividya philosophy, this union is visualised as a triangle of bindus, or points of concentrated energy, symbolising the perpetual dance of creation, sustenance and dissolution. Kamakaleshvari is the personified form of this cosmic principle, making her worship deeply connected to the und...

The Charvakas, also known as Lokayatas, represent a school of Indian philosophy that advocates materialism and skepticism towards religious doctrines and metaphysical speculations. Their worldview, which emerged around the 6th century BCE, directly challenged the dominant spiritual and ethical frameworks of Hinduism, Buddhism, and Jainism. Within the Charvaka school, scholars have noted the existence of two distinct groups: the dhurtas (the crass ones) and the sushikshitas (the cultured ones). 1. Two Groups of Charvakas (a) Dhurtas (Crass Ones) The Dhurtas represent the extreme form of materialism, often characterized by a crude and hedonistic approach to life. These Charvakas are often described as individuals primarily interested in fulfilling their immediate and base desires, without consideration for ethical or societal norms. They are materialists in the narrowest sense, rejecting not only the existence of anything beyond physical matter but also any form of moral obligation or hi...

 The Rare Form of Vageshwari: Understanding Saubhagya Vageshwari in Hindu Sculpture Hindu sculptural tradition is remarkably vast, and within this ocean of divine forms exist several lesser known manifestations that carry deep philosophical and ritual significance despite limited textual documentation. Saubhagya Vageshwari is one such form. Unlike the more widely worshipped goddess Saraswati, whose iconography is elaborately described across numerous texts, Saubhagya Vageshwari finds only occasional mention in iconographic and tantric literature, yet she holds a defined identity shaped by her association with the Srividya tradition and the broader Vageshwari group of forms. Origin and Textual Context The Sharada Tilaka Tantra, an important tantric text dealing with goddess worship, lists eight distinct forms of Vageshwari, the presiding forms of speech and knowledge. Saubhagya Vageshwari is counted among these eight, alongside forms such as Vagishwari, Hamsa Vageshwari, Vagisi,...

According to certain Hindu beliefs in Bengal, lighting fourteen lamps (known as “Chaturdashi lamps”) around the house drives away evil spirits, while others believe it helps dispel negative energies. There are also those who say that on the evening before Kali Puja, the ancestors from both the paternal and maternal lineages visit the earthly realm, and the lamps are lit to please them. Where should the fourteen lamps be placed? In the prayer room (thakurghar) — this is considered a key place for a lamp. If there is a Tulsi altar (Tulsi mancha) in the house, place one lamp near it as it is also a sacred spot. Place two lamps on either side of the main entrance door of the house. Some believe it is auspicious to keep a clove (lobongo) there as well. Place one lamp near the water source of the house — for instance, near the well, water tap, or in front of the bathroom. Keep one lamp on the southern side of the house. This is the direction of Yama In earlier times, many homes had ear...

Dates of important upcoming festivals and fasting associated with Hinduism in December 2026 – based on major Hindu calendars and Panchang used in India. The festivals, Vrats and ritual days are based on Indian Standard Time (IST). December 1 – Kal Bhairav Ashtami - Kal Bhairav Jayanti December 4 – Utpanna Ekadashi Vrat December 4 – Triprayar Ekadashi in Kerala December 6 – Som Pradosh Vrat as its Monday December 6 – Shiv Chaturdashi Vrat – Monthly Shivratri Fasting December 8 – Amavasya – No moon day December 9 – Margashirsh month begins in Maharashtra, Gujarat, Andhra Pradesh, Telangana, Karnataka and Goa December 14 – Vivah Panchami December 15 – Monthly Muruga Sashti Fasting December 15 – Skanda Sashti North India – Champa Shashti Maharashtra - Subramanya Sashti in Karnataka December 16 – Mitra Surya Saptami December 16 – Kharmas begins in North India December 16 – Dhanu Sankranti at 8:06 PM December 16 – Dhanur Masam begins December 17 – Dhanu Masam be...

Goddess Saraswati's Peacock: Turning Ignorance into Insight Goddess Saraswati, the embodiment of knowledge, art and wisdom, is most commonly pictured seated upon a swan, a bird known for its ability to separate milk from water, a metaphor for discernment. Yet in several depictions across Hindu art and iconography, a peacock also appears beside her. This lesser-known association carries a rich layer of meaning that deepens our understanding of Saraswati's role as the giver of true knowledge. The Peacock as the World's Glory The peacock, with its dazzling plumage, is one of nature's most striking creatures. In this symbolism, the bird represents the world in all its splendour, its colours, textures and sensory charm. Just as the peacock's feathers captivate the eye, the material world captivates the mind. When an aspirant on the spiritual path becomes fixated on these outer attractions, the same beauty turns into avidya, or ignorance, a veil that hides the deeper ...

The Fire Rituals of Kerala's Sorcerer-Priests: Understanding Yakshi Yagam Kerala's spiritual landscape carries a layered inheritance of Vedic worship, temple traditions, and an equally old current of Tantra – a stream of practice concerned with direct, ritual engagement with unseen forces. Among the most secretive of these practices is the Yakshi Yagam, a fire ceremony associated with powerful female spirit-beings known as Yakshis. Unlike temple worship open to all devotees, this ritual belonged to a closed circle of accomplished Tantric practitioners, sorcerer-priests who had undergone years of disciplined training under a guru. Who Performed These Rites Yakshi Yagams were rarely conducted by common householders. Historical memory in Kerala links these rituals to royal courts, feudal landlords, and chieftains who sought supernatural support during periods of conflict, political rivalry, or economic hardship. Kings preparing for battle, landlords defending ancestral wealth,...