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Kashaya in Hindu Philosophy: Understanding Mental Impurities and Their Role in Spiritual Evolution

In Hindu philosophy, the term Kashaya carries profound spiritual significance. It refers to the mental impurities, emotional disturbances, and psychological afflictions that act as obstacles to spiritual progress. The concept of Kashaya is deeply rooted in Hindu thought, particularly in the realms of Vedanta , Yoga , and Jain philosophy. Understanding and transcending Kashaya is essential for attaining moksha (liberation) and experiencing inner peace. While in contemporary contexts, Kashaya or Kashayam is commonly associated with Ayurveda as a medicinal decoction with an astringent taste, its philosophical implications hold immense importance. This article delves into the significance of Kashaya in Hindu philosophy, explores its modern-day relevance, and examines its parallels in psychological and scientific thought. Understanding Kashaya: Meaning and Significance The term Kashaya is derived from Sanskrit, meaning ‘impurities’ or ‘taints’ of the mind. It signifies the subtle a...

Story Of Behula and Lakhindar (Lakhai) in Manasamangal – Manasa Devi Puja Origin In Bengal

Behula’s Divine Voyage in Manasamangal To Save Her Husband Lakhindar's Life: The Eternal Saga of Love, Faith, and the Origin of Manasa Puja Manasamangal, a genre of medieval Bengali epic poetry. The Wrath of the Serpent Goddess In the sacred land of Bengal, where faith and folklore flow like the mighty rivers, the story of Behula and Lakhindar (Lakhai)  stands as a radiant symbol of love and devotion conquering divine wrath. It is said that in ancient times, the prosperous merchant Chand Sadagar , a devout follower of Lord Shiva, refused to acknowledge Manasa Devi , the goddess of serpents, as a deity worthy of worship. His denial was not mere arrogance—it was a declaration of unbending loyalty to Shiva. But to the goddess, it was an unforgivable insult. Manasa Devi, determined to humble the merchant’s pride, unleashed her fury upon his household. One by one, six of Chand Sadagar’s sons perished from snake bites on their wedding nights. His riches turned to dust, his ships sank ...

Karya Karana Bhava in Hinduism - The Principle of Cause and Effect

Hindu philosophy, deeply rooted in the Vedas and associated scriptures, has extensively deliberated on the fundamental concepts that govern existence. Among these concepts, Karya Karana Bhava —the principle of cause and effect—holds a significant place. This principle not only seeks to explain the origin of the universe but also provides a framework to understand the nature of reality, human actions, and their consequences. The theory of causality, as interpreted in Hinduism, has profound philosophical, spiritual, and even scientific implications that continue to remain relevant in modern discourse. Understanding Karya Karana Bhava Karya Karana Bhava can be translated as the relationship between karya (effect) and karana (cause). In simpler terms, it asserts that every effect must have a cause, and every cause must lead to an effect. This principle is applied not only to physical phenomena but also to metaphysical, ethical, and spiritual dimensions of existence. An example frequentl...

Bengali Story Of Nala and Neela As Sons Of Vishwakarma

Sons of Vishwakarma: The Sacred Story of Nala and Neela in the Ramayana The Divine Lineage of Vishwakarma's Sons In the great epic Ramayana, when Lord Rama needed to cross the vast ocean to reach Lanka and rescue Sita from the demon king Ravana, two extraordinary beings emerged to accomplish this seemingly impossible task. Nala and Neela, born in the form of vanaras (monkeys), were actually the divine sons of Vishwakarma, the celestial architect and craftsman of the gods. Vishwakarma, known as the divine engineer of the universe, possessed unparalleled skills in construction and creation. His lineage was blessed with extraordinary abilities, and his daughter Sanjana was married to Surya, the Sun God. Among his descendants, Nala and Neela inherited their father's exceptional architectural prowess, though they were born in vanara form as part of the divine plan to assist Lord Rama. The Divine Plan and Birth According to Hindu sacred texts, when Lord Vishnu incarnated as Rama...

Goddess Durga's Bow and Arrow: Symbolizing Universal Will and Spiritual Discipline

The Divine Bow and Arrow of Goddess Durga: Cosmic Power and Focused Energy The Sacred Weapons in Durga's Arsenal Among the numerous weapons wielded by Goddess Durga, the bow (Dhanush) and arrow (Tir or Baan) hold profound symbolic significance in Hindu spiritual tradition. These divine instruments were bestowed upon the Goddess by Surya, the Sun God, and the forest deity before her legendary battle with the demon Mahishasura. While Durga carries ten weapons in her multiple hands, each representing different aspects of divine power, the bow and arrow specifically embody the principles of concentration, precision, and the focused manifestation of cosmic energy. Symbolism of the Bow and Arrow The act of archery itself becomes a powerful metaphor for spiritual discipline and divine will. When an archer draws the bowstring, they must pull it backward, gathering and concentrating energy at a single point. This backward motion represents the withdrawal of scattered energies, the gathe...

By The Practice Of Truthfulness, Our Inner Self And Outer Self Become One – Hinduism Teaching

Truthfulness, or Satya , is one of the fundamental pillars of Hindu philosophy. It is enshrined as the second Yama (ethical restraint) in Patanjali’s Yoga Sutras , emphasizing its role in personal and spiritual development. The profound wisdom in Hindu scriptures suggests that when one practices truthfulness, their inner self aligns with their outer self, leading to harmony, peace, and ultimate realization of the Atman (soul). This article explores the significance of truthfulness in Hinduism, referencing scriptures, teachings of saints and gurus, its relevance in the Kali Yuga, scientific perspectives, and practical applications in modern life. Truthfulness in Hindu Scriptures Hinduism considers truthfulness as an essential virtue that leads to liberation ( Moksha ). Various scriptures emphasize the power and necessity of truth: Bhagavad Gita (17.15) – Lord Krishna states: "Speech that does not cause distress, that is truthful, pleasant, and beneficial, and the practice of reci...

February 10 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi

Tithi in Panchang – Hindu Calendar on Tuesday, February 10 2026 – It is Krishna Paksha Ashtami tithi or the eighth day of waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Ashtami tithi or the eighth day of waning or dark phase of moon till 7 :15 AM on February 10. Then onward it is Krishna Paksha Navami tithi or the ninth day of waning or dark phase of moon till 9 :24 AM on February 11. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on February 10, 2026 as per Hindu Calendar – Good and auspicious time after 7:54 AM.  Nakshatra  – Vishaka or Vishakam Nakshatra till 7:55 AM on Feb 10. Then onward it is Anuradha or Anusham or Anizham Nakshatra till 10:32 AM on Feb 11. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Vishaka o...

Story - Ravana's Momentary Awakening in Rama's Guise - The Transformative Power of Virtue

When Ravana Wore Rama's Form: The Demon King's Brief Encounter with Righteousness The Illusion and Its Unexpected Consequence In the great epic Ramayana, Ravana, the ten-headed demon king of Lanka, employed numerous strategies to win over Sita, whom he had abducted and held captive in his Ashoka grove. Among his various attempts, one particularly revealing episode demonstrates the profound spiritual truth that form and consciousness are intimately connected. Using his mastery of maya and occult powers, Ravana assumed the exact physical appearance of Sri Rama, hoping that this disguise would soften Sita's heart toward him. The transformation was complete in every external detail. Ravana's fearsome ten heads merged into one noble countenance, his demonic features softened into the gentle, righteous expression characteristic of Rama, and he adorned himself with the same royal garments and ornaments that the prince of Ayodhya wore. Yet as he approached Sita with this bor...

Panchmukhi Vishwakarma: The Divine Architect in His Five-Faced Cosmic Form

Vishwakarma, the celestial architect and divine craftsman of the universe, is venerated across India in various forms. While most devotees worship him in his single-faced form, certain regions of Bengal and South India preserve the ancient tradition of worshipping Panchamukhi Vishwakarma—the five-faced manifestation of the divine creator. This rare form represents the comprehensive powers of the deity who constructed the entire cosmos and continues to sustain it through his creative energy. The five Vishwakarmas — Virat Vishwakarma , Dharmavanshi Vishwakarma , Angiravanshi Vishwakarma , Sudhanva Vishwakarma , and Bhriguvanshi Vishwakarma — are believed to represent the five faces of the Panchamukhi Vishwakarma. Over time, these five have come to symbolize different artisan communities such as carpenters, goldsmiths, and blacksmiths . The Iconography of Panchamukha Vishwakarma In this magnificent form, Vishwakarma appears with five faces (Panchamukhi) and ten arms (Dashabhuja), eac...

Arthavada

Arthavada is eulogy – one of the four kinds of interpretive statements in Mimamsa. Arthavada is one of the four parts into which Vedic texts are divided by Mimamsa. The four major parts are – Injunctions (codana, vidhi, nishedha, pratisedha); explanatory proclamations of the object or purpose (Arthavada); Recitations during performance of a sacrificial act (mantra); and Names (namadheya). Arthaveda means a statement which either eulogizes or deprecates, intending to encourage or discourage a ritual – or some part mentioned in the ritual – from being performed. Arthavada is the ethical complement of vidhi or nishedha. For example, ‘let one who is desirous of prosperity, sacrifice a white animal to Vayu, because Vayu is the swiftest of the gods.’ Here the first sentence is a vidhi and the second, which praises Vayu, is Arthavada. Arthavada is of three kinds, viz., Gunavada, Anuvada, and Bhutarthavada. When a text makes a statement which is contradictory to the existing state of affai...

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