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Showing posts from February, 2011


Patience In Adversity Is The Quality Of A True Man – Ancient Hindu Teaching – Modern Day Relevance

The teaching that "Patience in adversity is the quality of a true man" is deeply rooted in ancient Hindu philosophy and remains profoundly relevant in modern times. This concept, often intertwined with virtues like perseverance, resilience, and fortitude, forms a cornerstone of the Hindu ethical and spiritual framework. Patience in Adversity: The Hindu Perspective In Hinduism, patience, especially during times of hardship, is considered a vital attribute of a person striving towards righteousness (Dharma). This virtue is often referred to as "Kshama" in Sanskrit, which means forgiveness or patience. Kshama is not merely passive endurance but an active, conscious decision to maintain composure, understanding, and compassion even in challenging situations. The Bhagavad Gita, one of the most revered scriptures in Hinduism, extensively discusses the importance of patience and resilience. In the Gita, Lord Krishna advises Arjuna to perform his duty without attachment to ...

A Comparison Between Hindu Goddesses Bhuvaneshwari And Bhairavi

Goddesses Bhuvaneshwari and Bhairavi are two significant deities in Hinduism, particularly within the Shakta tradition, which emphasizes the worship of the Divine Feminine. Both goddesses are associated with the ten Mahavidyas, a group of ten aspects of the Divine Mother, each representing different cosmic functions and philosophical concepts. Despite being part of the same pantheon, Bhuvaneshwari and Bhairavi have distinct attributes, symbolism, and spiritual significance. Bhuvaneshwari: The Queen of the Universe Attributes and Symbolism: Bhuvaneshwari is known as the "Queen of the Universe" or "Goddess of the Worlds." Her name is derived from the Sanskrit words Bhuvana (world) and Ishwari (goddess or ruler). She is depicted as a beautiful goddess with a calm and compassionate expression, symbolizing the nurturing and sustaining aspects of the universe. Bhuvaneshwari is often shown seated on a lotus, holding objects like a noose and goad, which represent control...

Anand Bhairav Puja – Importance Of Ananda Bhairava

Anand Bhairav Puja is indeed a significant observance in the Hindu calendar, particularly revered in North India. Here's an expansion on the significance and rituals associated with Anand Bhairav Puja: Anand Bhairav Puja 2025 date is March 7. Significance of Anand Bhairav Puja: Timing: It falls on the Shukla Paksha Ashtami, the eighth day of the waxing phase of the moon, in the month of Phalgun according to the traditional Hindu calendar. Dedication to Anand Bhairav: The puja and rituals on this day are dedicated to Anand Bhairav, a unique and benevolent form of Lord Shiva. Anand Bhairav is considered to embody joy and happiness, in contrast to the fierce and wrathful image often associated with Bhairav. Rituals and Observances: Puja Ceremonies: Devotees perform elaborate puja ceremonies dedicated to Anand Bhairav. This typically includes the chanting of mantras, offering of flowers, incense, and various offerings to the deity. Prayers and Bhajans: Devotees engage i...

Time Devours Everything: An Ancient Hindu Teaching and Its Modern Relevance

The concept that "Time devours everything" is a profound teaching found in ancient Hindu philosophy, encapsulating the transient nature of the material world. This idea, though ancient, continues to resonate deeply in the modern context, offering insights into how we perceive life, change, and the impermanence of existence. The Concept in Hindu Scriptures The notion that time is an all-consuming force is intricately woven into Hindu thought, especially in the Bhagavad Gita , Mahabharata , and various Upanishads. Bhagavad Gita : One of the most famous quotes reflecting this concept comes from Lord Krishna in the Bhagavad Gita, where He declares, "Time I am, the great destroyer of the world, and I have come here to engage all people" (Bhagavad Gita 11:32). This verse is part of the larger context where Krishna reveals His cosmic form (Vishvarupa) to Arjuna, demonstrating the inevitable destruction that time brings to all beings. Mahabharata : In the epic Mahabharata, ...

Sampatkari Devi – About Goddess Sambathkari

Sampatkari Goddess, also known as Sambathkari Devi, holds a significant place among the many manifestations of Goddess Shakti in Hindu mythology. She is revered particularly in the Lalitha Sahasranama, a sacred text that praises the thousand names of the Goddess Lalitha Devi. According to mythology, Sambathkari Devi emerged from the divine rope, or 'Pasham,' wielded by Goddess Lalitha during her battle against the demon Bhandasura. During this epic confrontation, Sambathkari Devi led an army of elephants, symbolizing her power and might in assisting Goddess Lalitha in her divine mission to vanquish evil. Apart from her martial aspect, Sambathkari Devi is also associated with wealth and abundance, embodying the prosperity and fortune that devotees seek in their lives. In addition to material wealth, Sambathkari Devi is believed to bestow blessings related to sensual pleasures, indicating her role in fulfilling the desires and aspirations of her devotees. It is commonly belie...

Rig Veda in mp3 in Hindi – Listen or read Rg Veda online

The website Ved Puran is providing the opportunity to listen to the Rig Veda online in Hindi in mp3 format.  The online audio version of the Rg Veda is the Hindi translation of the Rig Veda from Sanskrit. Pages from the Hindi translation book are also provided for reference. You can read and listen to Rig Veda in mp3 here at Ved Puran.  (there is some trouble with audio - only text is available now). Symbolism In Rig Veda The Rig Veda, one of the oldest sacred texts of Hinduism, is rich in symbolism. Here are a few examples: Agni (Fire): Agni, the god of fire, is a prominent figure in the Rig Veda and symbolizes various aspects of life. Fire is seen as a purifier, representing the burning away of impurities, both physical and spiritual. It also symbolizes knowledge, energy, and transformation. Soma: Soma is a sacred plant mentioned in the Rig Veda, and its juice was used in Vedic rituals. Soma symbolizes divine wisdom, immortality, and the elixir of life. Its consu...

Taila Ashtami – Tailashtami

Taila Ashtami is a significant observance in the Kashmiri Hindu community, particularly in the region of Kashmir. Taila Ashtami 2025 date is March 7. It falls on the eighth day of the Phalgun month, which usually corresponds to the months of February and March in the Gregorian calendar. This auspicious day marks the conclusion of the Herath rituals, which are an integral part of the religious and cultural practices of Kashmiri Hindus. The celebration of Taila Ashtami occurs on the eighth day of the Shukla Paksha, the waxing phase of the moon, in the Phalguna month. During this time, devotees engage in various religious activities and rituals to honor Lord Shiva, the presiding deity of the occasion. The rituals are performed with great devotion and adherence to tradition. The Herath rituals, spanning a fortnight, culminate with the observance of Taila Ashtami. Herath essentially refers to the Shivratri celebration in the Jammu and Kashmir region. It is a period marked by fervent pr...

A Comparison Between Yakshagana Of Karnataka And Jatra Of West Bengal

Yakshagana and Jatra are two significant traditional performing arts from different regions of India. While Yakshagana hails from Karnataka in South India, Jatra is rooted in West Bengal in Eastern India. Both art forms are integral to their respective regions, blending dance, music, and drama to narrate stories, often drawn from Hindu mythology. They have distinct characteristics but also share similarities in their roles as cultural and religious expressions. Yakshagana of Karnataka History and Origin: Yakshagana is believed to have originated in Karnataka around the 16th century, though its roots may trace back earlier to ancient forms of dance-drama. It developed as a popular art form under the patronage of local rulers and the influence of Bhakti movement saints, who used it to spread religious and moral teachings. Form and Structure: Yakshagana is a vibrant form of dance-drama that involves elaborate costumes, makeup, and headgear. The performances are typically based on episodes...

Spiritual and Religious Significance of Shivaratri

Shiva is the name and form given to the formless Brahman by us. Shiva is the knowledge which will helps us sail safely and peacefully through the turbulent waters of life. Shivaratri is the night dedicated to this formless Brahman – who took form for living beings. It is believed that Shiva appeared as ‘Lingodabhavamurti on the night of Shivaratri. It is a lingam in the form of fire which has neither a beginning nor an end. ‘Linga’ means ‘sign.’ And it is merely an attempt to capture the formless as we humans are obsessed with form. Unlike other festivals associated with Hindu Religion, Shivaratri is a night dedicated largely to prayers and not to fun and celebrations. Festivals, fun and celebrations are momentary. They are like bubbles. But when Shiva is worshipped there is bliss all around and that bliss is of Brahman realization or self realization – the permanent happiness. Each Hindu tradition has created a story for Shivaratri and you can read the numerous legends...

Tragedy Of Humans Is That They Are Always Seeking Something – Ancient Hindu Teaching – Modern Day Relevance

In Hindu philosophy, one of the profound observations about human nature is the inherent tendency to seek—whether it be happiness, material wealth, knowledge, or spiritual fulfillment. This endless pursuit is often seen as a tragedy because it can lead to a cycle of dissatisfaction, unfulfilled desires, and ultimately, suffering. This concept is rooted deeply in Hindu teachings and resonates even in the modern day, reflecting timeless wisdom about the human condition. The Concept of Desire in Hinduism In Hindu thought, the notion of desire is encapsulated by the term "Trishna" (तृष्णा), which means thirst or craving. The Bhagavad Gita (3.37) touches on this when Krishna explains to Arjuna that desire, born out of passion, is the great enemy of the wise: "It is desire, it is anger, born of the mode of passion; know this as the enemy here on earth." Desire is seen as a root cause of human suffering. The more one seeks, the more one becomes entangled in Samsara —the ...

Spiritual Significance of Taking Holy Bath in Yamuna River

Millions of Hindus take holy bath in Yamuna River, especially during auspicious days. A visit to Yamunotri Temple in Himalayas is also considered highly meritorious. A popular legend states that taking holy bath, or dip, in Yamuna will help in a painless death. This is because Yamuna is believed to be the sister of Yama, the Hindu God of death. Another legend states that Yamuna is the daughter of Surya Bhagava, the Hindu Sun God. Yamuna River originates from a pond named Saptarishi Kund at an altitude of 4421 meter in the Kalinand Mountain. Yamuna River travels for nearly 800 km before merging with Ganga at Prayag in Allahabad. Yamuntori Temple is part of the famous Char Dham Yatra in the Himalayas. In a year due to harsh winter, the temple remains open only from middle May to November beginning. 

Book – Hindu Dharma – The Universal Way of Life

Hindu Dharma – The Universal Way of Life is a book based on the lectures by Jagadguru Chandrasekharendra Saraswathi Swami, the 68th Peetadhipathi of the Kanchi Kamakoti Peetam. The original book was in Tamil and this is an English Translation of the book published by Bhavans. Now you can download the book for free in pdf format. The book contains lectures delivered decades ago in Tamil by Jagadguru Chandrasekharendra Saraswathi Swami on diverse aspects of Hindu Dharma, on our ancient culture and arts and on a variety of other subjects in our day-to-day life.

A Comparison Between Chakyar Koothu Of Kerala And Jatra Of West Bengal

Chakyar Koothu and Jatra are two distinct forms of traditional theater that originate from different regions of India. While Chakyar Koothu is a classical art form from Kerala, Jatra is a popular folk theater from West Bengal. Both forms have deep roots in their respective cultures and play a significant role in the preservation and propagation of Hindu religious stories and cultural values. Chakyar Koothu of Kerala Origins and Overview: Chakyar Koothu is an ancient form of storytelling that dates back over 2,000 years. Traditionally performed in temples, this art form is a solo performance by a Chakyar (a member of the Chakyar caste) who narrates stories from Hindu epics such as the Mahabharata and Ramayana. The performance is usually accompanied by the Mizhavu, a large copper drum. Performance Style: Chakyar Koothu is characterized by its highly stylized and sophisticated use of language, with the performer using a mixture of Sanskrit and Malayalam. The Chakyar employs a wide range...

Hanuman and Shiva – The Story of Hanuman as Son of Shiva

The story of Hanuman's birth as the son of Shiva is indeed a captivating tale from Hindu mythology. According to this version of the legend, it all begins during the episode of the Samudra Manthan, the Churning of the Ocean of Milk. When the Devas (celestial beings) and Asuras (demons) churned the ocean to obtain the elixir of immortality, known as Amrut, a fierce battle ensued over who would possess it. To bring peace, Lord Vishnu assumed the form of Mohini, a mesmerizing enchantress. Her beauty was so extraordinary that even Lord Shiva, the great ascetic, was captivated upon seeing her. Intrigued by Mohini's allure, Shiva was overcome with desire, and in his admiration, he ejaculated. This divine essence, the semen of Shiva, fell upon the ground. The sages, recognizing its sacred nature, gathered it carefully in a leaf and then deposited it into the womb of Anjana, who was deeply devoted to Shiva and ardently praying for a son. Anjana, through the divine grace of Shiva...

Women In Ramayana – Other Than Mata Sita

The Ramayana showcases several remarkable female characters beyond Mata Sita, each embodying different virtues and playing crucial roles in the epic's narrative: Urmila: As the wife of Lakshmana, Urmila exemplifies selflessness and sacrifice. When Lakshmana went into exile with Lord Rama and Sita, Urmila chose to stay back and sleep in his place, thus sacrificing her own marital bliss for the greater good. Her devotion to her husband's duty is highly praised in Hindu tradition. Sumitra: Sumitra, the mother of Lakshmana and Shatrughna, demonstrates immense maternal love and sacrifice. Despite being a lesser-known character, her role in raising Lakshmana and Shatrughna with values of righteousness and duty cannot be understated. Her quiet strength and support contribute significantly to the story's unfolding. Mandodari: Mandodari, the wife of Ravana, stands out for her moral integrity and courage. Despite being married to the antagonist of the epic, she is depicted as ...

Gautam Rishi on eight qualities that helps in achieving bliss on earth

Eight qualities told by Gautam Rishi to achieve bliss on earth. Kindness, compassion, pity and sympathy towards every living being. Forgiveness. No Jealousy. Purity – the state of being pure from outside and inside. Not to indulge in petty and meaningless. To think, wish and work for bliss, wellbeing and prosperity of all. Neither to be nor to show weakness and miserliness. Neither lust nor wish to possess whatever belonged to others. The eight qualities outlined by Gautam Rishi to attain bliss on Earth are profound guidelines for leading a fulfilling and harmonious life: Kindness, compassion, pity, and sympathy towards every living being: Cultivating empathy and understanding for all beings fosters harmony and connection within the world. It acknowledges the inherent value and shared experiences of all living creatures. Forgiveness: Letting go of resentment and anger allows for healing and reconciliation. Forgiveness liberates the self from the burdens of the past ...

Documentary with Evidence on Krishna’s Dwarka Under Sea in Gujarat Coast in India

Dwarka, which is mentioned in many Hindu scriptures including the Mahabharata, was the kingdom of Sri Krishna . It is believed that the Dwarka, which is under sea now, existed somewhere around 3200 years to 9000 years ago. A documentary on underwater cities and alien visits to earth, suggests that Dwarka might have been destroyed by Aliens. What is important to us is that it is beyond doubt that Dwarka existed. Alien attacks can be just theories. Facts – A city was discovered underwater near present day Dwarka in Gujarat . It was a very ancient settlement and busy port. Sandstones walls and streets were discovered by underwater archeological studies. There are two versions of the destruction of Dwarka in Hindu Scriptures – the most popular is that when Krishna decided to leave the world, the city of Dwarka was submerged by sea – sea rising to eat Dwarka. Another version has that a King named Shalva attacked Dwarka from the skies using weapons like lightning and thunder. About A...

Kamda Saptami Vrat – Kamada Saptami in Phalgun Month

Kamada Saptami holds significant cultural and religious importance, particularly in North India, as it marks the beginning of the Holashtak period leading up to the vibrant festival of Holi. Kamda Saptami Vrat 2025 date is March 6. Falling on the seventh day of the waxing phase of the moon, or Shukla Paksha Saptami, in the Phalgun month, Kamada Saptami is a day filled with auspicious rituals and prayers. The anticipation for the upcoming Holi festival adds to the fervor surrounding Kamada Saptami. It is believed that observing rituals on this day can lead to the fulfillment of one's wishes, making it a highly anticipated occasion for devotees seeking blessings and prosperity. Devotees primarily dedicate their prayers on Kamada Saptami to revered deities such as Shiva, the auspicious Ganesha, and the radiant Sun god, Surya. Each deity symbolizes different aspects of life and blessings, with devotees seeking their divine intervention for various reasons. For Shiva devotees, Ka...

Happiness Derived From The Senses Is Temporary And Full Of Sorrows – Ancient Hindu Teaching – Modern Day Relevance

The concept that "happiness derived from the senses is temporary and full of sorrows" is a core teaching in Hindu philosophy. This idea is found in various scriptures and teachings, where it is emphasized that sensory pleasures are fleeting and often lead to suffering rather than lasting fulfillment. In today's world, where materialism and sensory gratification are highly sought after, this ancient teaching holds profound relevance. Understanding the impermanence of sensory pleasures and seeking a higher, more sustainable form of happiness is essential for leading a balanced and meaningful life. Scriptural Basis Bhagavad Gita : One of the most quoted scriptures on this topic is the Bhagavad Gita. In Chapter 5, Verse 22, Lord Krishna says: "Ye hi saṁsparśa-jā bhogā duḥkha-yonaya eva te, ādy-antavantaḥ kaunteya na teṣu ramate budhaḥ." (Translation: The pleasures that arise from contact with the sense objects are verily sources of misery; they have a beginning and ...

A Comparison Between Chakyar Koothu Of Kerala And Tamasha Of Maharashtra

Chakyar Koothu and Tamasha are two traditional performance arts from India, each originating from different regions—Kerala and Maharashtra, respectively. Both these art forms hold significant cultural value in their respective states, serving as a medium of entertainment, storytelling, and religious expression. While they share the commonality of being traditional theatrical forms, they differ significantly in their origins, styles, and cultural contexts. Chakyar Koothu Origin and History: Region : Kerala, India Historical Context : Chakyar Koothu is a classical art form that dates back over a thousand years, rooted deeply in the temple culture of Kerala. It was traditionally performed by the Chakyar community, who were part of the Brahmin caste, and the performances were confined to temple premises. Religious and Cultural Importance : Chakyar Koothu is primarily associated with Hindu temples, particularly those dedicated to the goddess Bhagavathy. It was performed as a ritual offering...

He Who Is Engaged in the Welfare of All Beings Without Any Expectations Is a True Saint - Ancient Hindu Teaching and Modern-Day Relevance

The idea that a true saint or enlightened being is one who selflessly engages in the welfare of all beings without any expectations is deeply rooted in Hindu philosophy. This teaching emphasizes the principles of selfless service (seva), compassion (karuna), and non-attachment (vairagya), which are essential for spiritual growth and societal harmony. Scriptural References Bhagavad Gita : In the Bhagavad Gita, Lord Krishna advises Arjuna to perform his duties without attachment to the fruits of his actions: “Karmanye vadhikaraste, Ma phaleshu kadachana, Ma karma-phala-hetur-bhur, Ma te sango 'stv-akarmani” (Bhagavad Gita 2.47). Translation: "You have a right to perform your prescribed duties, but you are not entitled to the fruits of your actions. Never consider yourself the cause of the results of your activities, nor be attached to inaction." This verse highlights the importance of performing one’s duties for the welfare of others without any selfish desires or expectat...

A Comparison Between Ottamthullal Of Kerala And Jatra Of West Bengal

Ottamthullal and Jatra are two significant forms of traditional performance art that have evolved in the distinct cultural landscapes of Kerala and West Bengal, respectively. Both forms, though unique in their style, share a common goal of social commentary and entertainment, deeply rooted in the cultural and religious practices of their regions. Ottamthullal of Kerala Origin and Development: Ottamthullal was created in the 18th century by Kunchan Nambiar, a Malayalam poet and satirist. Nambiar invented this art form as a reaction to the elitism he observed in the classical art forms of Kathakali and Chakyar Koothu. Ottamthullal, meaning "the dance of the running clown," was designed to be more accessible to the common people, using simpler language and humorous narratives that anyone could understand. Style and Performance: Ottamthullal is characterized by its solo performances, where a single performer narrates stories through a combination of dance, music, and verse. The...