Tithi in Panchang – Hindu Calendar on Friday, July 31 2026 – It is Krishna Paksha Dwitiya tithi or the second day during the waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Dwitiya tithi or the second day during the waning or dark phase of moon till 9 :17 PM on July 31. Then onward it is Krishna Paksha Tritiya tithi or the third day during the waning or dark phase of moon till 9 :28 PM on August 1. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on July 31, 2026 as per Hindu Calendar – Good and auspicious time on the entire day.  Nakshatra  – Dhanishta or Avittam nakshatra till 7:26 PM on July 31. Then onward it is Satabhisha or Sadayam or Chathayam nakshatra till 8:20 PM on August 1. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south R...

Ganesha in Tantrism: The Guardian of the Threshold and the First Gateway to Realization In popular Hindu understanding, Ganesha is invoked at the start of any undertaking, be it a wedding, a journey, or a business venture. Yet this popular image, however true and meaningful, barely grazes the surface of what Ganesha represents within the Tantric and Agamic traditions. Here, Ganesha is not merely a benevolent deity of good fortune. He is a cosmic principle, a lord of thresholds, and the very first gate through which the aspirant must pass on the path toward liberation. To understand Ganesha in Tantra is to understand something essential about the nature of consciousness itself. Vighnesvara: Master of Obstacles, Not Their Creator The title Vighnesvara, meaning the overlord of obstacles, is frequently misread as implying that Ganesha creates impediments to test or punish. The Agamic tradition firmly corrects this misunderstanding. Texts such as the Mudgala, Ganapati, and Brahmanda Aga...

What Arjuna Didn't Know: Krishna Explains Karna's Might  Countless stories based on the Mahabharata war offer vital life lessons for humans navigating the complexities of Kali Yuga. Here is one such story: On the battlefield of Kurukshetra, Arjuna and Karna were locked in one of the fiercest duels of the war. Every time Arjuna's arrow struck, Karna's chariot was flung far back — sometimes many yards. But when Karna's arrow struck in return, Arjuna's chariot recoiled only seven steps. And every single time that happened — even those small seven steps — Krishna, who held the reins as Arjuna's charioteer, would murmur, "What a warrior Karna is!" Yet when Karna's chariot was hurled far into the distance by Arjuna's shot, Krishna said nothing at all. This happened again and again, until Arjuna couldn't hold his frustration any longer. "Krishna," he said, "why do you favor him? My chariot only moves back seven steps, whil...

Beyond the Veil of Darkness: The Tantric Wisdom of Goddess Kalratri -  The Dark Goddess Who Dissolves Fear Into Pure Consciousness In the vast landscape of Shakta and Tantric traditions, few forms of the Divine Mother carry the raw, transformative power that Kalaratri embodies. Often misread through the lens of surface symbolism, she is hastily associated with terror, destruction, and death. Yet the Tantric seeker who looks beyond form discovers something far more profound — Kalaratri is not the goddess of fear. She is the goddess who annihilates fear itself at its very root. Her name dissolves into meaning: Kala, signifying both time and darkness, and Ratri, the night. She is the Night of Time — the boundless, primordial darkness that existed before creation and will remain after dissolution. In Tantric cosmology, this darkness is not the absence of light. It is the ground of all light. It is pure, undifferentiated consciousness resting in itself. Symbolism Rooted in Tantric P...

Nalini Kant Bhattasali (1888 – 1947) was an archeologist, art historian, numismatist and writer. N K Bhattasali was born on January 24, 1888 in the village of Nayananda in the Munshiganj subdivision of Dacca District. He graduated from Dacca College in 1909 and obtained his Masters degree in history in 1912. In the same year, his original research on King Lakshmanasena of Bengal and His Era was published in the Indian Antiquary. Nalini Kant Bhattasali began his career as headmaster of Balurghat and Ichapur high schools, and later also served as a lecturer of history in Comilla Victoria College. He made Bengal his special field of study, and in 1914 he presented the paper ‘A Forgotten Kingdom Of Eastern Bengal’ at the Asiatic Society of Bengal. N K Bhattasali took charge of the Dacca Museum in July, 1914. From a meager collection of six ancient sculptures and some coins, he transformed this small museum into an institution of national fame. He explored the countryside of Bengal and ...

Sivottama: The Supreme Auspicious Form Among the Eight Vidyesvaras of Shaiva Agama Tradition The Shaiva Agamas, which form the doctrinal and ritual backbone of Shaivism, describe Shiva not merely as a singular transcendent principle but as a dynamic, emanating reality that unfolds across multiple levels of existence. Among these emanational categories, the Vidyesvaras — literally the rulers or lords of knowledge — occupy a distinctive and exalted position. They are eight in number and are understood to be direct emanations of Shiva's sovereign will, governing both the cosmic order and the spiritual hierarchy of initiated souls. These eight forms stand between the absolute, attributeless Shiva and the world of manifest beings, serving as divine intermediaries who embody specific aspects of Shiva's omniscience and grace. The eight Vidyesvaras are Ananta, Suksma, Sivottama, Ekanetra, Ekarudra, Trimurtti, Srikantta and Sikhandin. Each carries distinct iconographic features and ph...

Hayashirsha Samhita: Ancient Wisdom of Sacred Architecture and Divine Installation The Hayashirsha Samhita stands as one of the most comprehensive treatises within the vast corpus of Pancharatra literature, representing centuries of accumulated wisdom regarding the sacred science of temple construction and deity installation. This monumental work, structured across 144 chapters and organized into four distinct sections, serves as both a practical manual and a spiritual guide for understanding the profound relationship between the divine, the physical realm, and human consciousness. Historical Context and Literary Significance As an integral component of the Pancharatra tradition, the Hayashirsha Samhita emerges from a rich theological framework that emphasizes the accessibility of the divine through proper ritual practice and devotional worship. The Pancharatra system, deeply rooted in Vaishnavite philosophy, presents a comprehensive approach to spiritual realization that encompasse...

Jatayu: The Eagle Whose Unimaginable Strength Challenged Ravana Among the many heroic figures of the Ramayana, Jatayu stands apart as the embodiment of courage, selflessness, and unwavering devotion to dharma. Though advanced in age, the mighty vulture king displayed extraordinary physical strength and spiritual resolve when he confronted Ravana during the abduction of Sita. His battle was not merely an attempt to stop an evil king; it was a declaration that righteousness must be defended regardless of the odds. Jatayu was the son of Aruna, the charioteer of Surya, making him a member of a divine lineage. He was also the younger brother of Sampati and a close friend of King Dasaratha. When he encountered Ravana carrying away Sita through the skies, he immediately recognized the grave injustice and chose to intervene without hesitation. A Warrior Whose Wings Shook the Earth The Adhyatma Ramayanam, rendered into Malayalam by Ezhuthachan, vividly portrays Jatayu as "like a moun...

Dasabuja Rishaba Tandava: The Ten-Armed Dancing Shiva of Mela Kadambur In the ancient temple town of Mela Kadambur in Tamil Nadu stands the Amirthakadeswarar Temple, a sacred site that holds within its sanctified storage one of the most extraordinary bronze sculptures in all of Shaiva tradition — the Dasabuja Rishaba Tandava Murti. Few devotees across the world are even aware of this form's existence, and fewer still have had the blessing of witnessing it. The sculpture emerges from its secure resting place only on Pradosham, the sacred thirteenth lunar tithi of each fortnight, and even then only briefly, for ritual oblations lasting mere minutes before it is returned to its protected sanctum. This singular practice of limited darshan is itself deeply symbolic. In Shaiva philosophy, certain divine manifestations are considered so potent and so charged with cosmic energy that they are not meant for casual or continuous viewing. Their power is preserved precisely through their rari...

The Serpent Sage — Symbolism and Sacred Meaning in the Form of Patanjali Sage Patanjali stands as one of the most revered figures in the Hindu tradition. He is celebrated as the compiler of the Yoga Sutras, a foundational text of classical yoga philosophy consisting of 196 aphorisms that systematically lay out the path toward liberation, or moksha. Beyond yoga, Patanjali is also credited with significant contributions to Ayurveda and Sanskrit grammar, making him a towering intellectual and spiritual presence across multiple disciplines. The Iconography — A Form That Speaks In traditional sculpture and sacred art, Patanjali is depicted in a form that immediately arrests the eye and stirs the contemplative mind. His upper body is that of a human — serene, composed, and upright — while his lower body transforms into the coiled form of a serpent. Above his head, a canopy of five hooded cobras fans outward in a protective arc. In some depictions, his hands are joined in the gesture of a...