Tithi in Panchang – Hindu Calendar on Wednesday, October 28 2026 – It is Krishna Paksha Dwitiya and Tritiya tithi or the second and third day during the waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Dwitiya tithi or the second day during the waning or dark phase of moon till 6 :35 AM on October 28. Then onward it is Krishna Paksha Tritiya tithi or the third day during the waning or dark phase of moon till 4 :27 AM on October 29. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on October 28, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Krittika or Karthigai or Karthika nakshatra till 5:01 PM on October 28. Then onward it is Rohini nakshatra till 3:33 PM on October 29. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Guj...

Kojagari Lakshmi Puja is famous for its food offerings and delicacies. Among the grand spread, one dish is almost indispensable — the “bhoger khichuri” (offering of khichuri)! Many believe that the worship of Goddess Lakshmi feels incomplete without offering khichuri. Let us explore the symbolism and the story associated with it. Why is bhoger khichuri essential? Offering khichuri during Kojagari Lakshmi Puja is an age-old tradition, deeply rooted in Bengali households. Though the items in the offering may vary slightly by region — for instance, some offer ilish (hilsa fish), while others prepare a completely vegetarian feast — khichuri holds a special place. It is not merely a simple dish, but one of profound cultural and spiritual significance. Bhoger khichuri is not just a culinary custom. It is a sweet symbol of prosperity, unity, and purity — a tradition that has become inseparable from the worship of Goddess Lakshmi in Bengali homes for generations. Symbol of Wealth and Pro...

Yudhishthira and Aeneas: Two Kings Who Chose Duty Over Desire Every culture has stories of leaders who sacrifice their own happiness for the good of others. In the Mahabharata, which is the itihasa (sacred history) of Bharata, we meet Yudhishthira, the eldest of the Pandavas. In the Roman epic, the Aeneid, we meet Aeneas, the Trojan prince who carries his people to Italy. Both are duty-bound leaders. Both put the future of their people, and their moral obligations, above personal wishes. Scholars of comparative studies, including a comparative essay from the University of Pennsylvania, have argued that Yudhishthira is a particularly close parallel to Aeneas. It is a fair comparison, but it also shows some very important differences. Yudhishthira and Dharma Yudhishthira is called Dharmaraja, the king of dharma. He was born from Dharma Deva himself, so truth and righteousness were part of his nature. All through the Mahabharata, he tries to uphold dharma while also fulfilling his dut...

Shitala Mata and Bannari Amman: Two Compassionate Forms of the Divine Mother Across India The worship of the Divine Mother has flourished across Bharat for thousands of years, with each region expressing Her boundless compassion through unique names, forms, and traditions. Among these revered manifestations are Shitala Mata of North and Eastern India and Bannari Amman of Tamil Nadu's Kongu region. Although they are worshipped through different customs and local traditions, both are regarded as powerful manifestations of Adi Shakti, the Supreme Divine Energy that nurtures, protects, and restores harmony in creation. While Shitala Mata is especially associated with healing, cooling energies, and protection from epidemics, Bannari Amman is venerated as a fierce yet compassionate guardian deity who protects villages, forests, devotees, and dharma. Together, these two manifestations beautifully demonstrate how the same Divine Mother responds to the needs of different communities while...

Prakashatman and the Panchapadika-Vivarana: A Transformative Commentary in Advaita Philosophy Prakashatman, also known as Prakashanubhava, stands as one of the most influential figures in the post-Shankara Advaita Vedanta tradition. Flourishing around 1200 CE, this profound scholar and philosopher carved a unique place in Hindu philosophical history through his masterful commentary that would eventually establish an entire school of thought within the Advaita tradition. Early Life and Lineage Prakashatman was a devoted disciple of Ananyanubhava, himself a significant figure in the Advaita lineage. While detailed biographical information about Prakashatman's early life remains limited, his profound understanding of Advaita philosophy suggests years of rigorous study under his guru's guidance. The guru-shishya parampara (teacher-student tradition) has always been central to Hindu philosophical transmission, as emphasized in the Mundaka Upanishad (1.2.12): "Tad-vijnanartha...

Aparajita Devi in Hindu Sculpture: Form, Meaning and Spiritual Symbolism Aparajita Devi, whose name literally means "the Unconquered One" or "She Who Can Never Be Defeated," represents the invincible aspect of Divine Shakti in Hindu tradition. Though references to Aparajita are comparatively less frequent than those of Durga, Lakshmi, or Sarasvati, she occupies an important place in Agamic, Puranic, and Tantric traditions. She symbolizes the eternal victory of righteousness, divine protection, and spiritual steadfastness. Her iconography reflects the philosophical idea that the Divine Mother remains beyond defeat because she embodies the supreme cosmic energy that sustains and protects the universe. The sculptural representation of Aparajita Devi follows well-established principles of Hindu iconography while allowing regional variations. As with many forms of Devi, differences in the number of arms, attributes, or posture may exist across temples and traditions. H...

Prakashananda Yati: Master of Perception-Creation Philosophy in Advaita Vedanta Prakashananda Yati stands as one of the most revolutionary thinkers in the post-Shankara period of Advaita Vedanta philosophy. A disciple of Jnanananda Yati, he lived during the late 15th and early 16th centuries (approximately 1550-1600 CE) and made profound contributions to Hindu philosophical thought. His most celebrated work, the Vedantasiddhanta-muktavali, remains a cornerstone text for understanding the nature of reality, consciousness, and the phenomenal world. Prakashananda is primarily remembered for systematically establishing two groundbreaking doctrines: Drishti-Srishti-Vada (the doctrine of simultaneous creation through perception) and Ekajiva-Vada (the doctrine of one individual soul). Brief Biography and Historical Context Prakashananda Yati emerged during a vibrant period of Hindu philosophical development when Advaita Vedanta was experiencing rich intellectual expansion. Living in Varanas...

Seeing the Ordinary Clearly: The Real Meaning of Enlightenment Many people think that spirituality means getting some special power or secret knowledge. They imagine a person sitting in a cave, glowing like a bulb, flying in the air, or reading minds. Nowadays, with so many "spiritual courses" and "enlightenment in seven days" offers, this idea has become even stronger. But Hindu teaching says something very simple and, frankly, a little disappointing for those who want fireworks: enlightenment is not about acquiring anything new. It is about seeing the ordinary reality as it is, without the distortions of fear, desire, and judgment. What the Scriptures Say The Bhagavad Gita explains this point clearly. In Chapter 5, Verse 18, Bhagavan Krishna says that the wise person sees with equal vision a learned Brahmin, a cow, an elephant, a dog, and even the one who eats dog meat. This is not a special power. This is simply seeing without the filter of liking and disliki...

Kanthi in Hindu Iconography: The Uppermost Layer of Divine Adornment Among the many categories of ornamentation described in the shilpa shastras, the kanthi occupies a distinct and significant place. Worn snugly at the base of the throat, the kanthi is a short neck ornament that forms the uppermost layer in a composed sequence of neck jewellery on divine and royal images. Unlike the longer necklaces that fall over the chest, the kanthi hugs the throat closely, acting as a visual bridge between the face and the torso of the sculpted figure. It is broader in scope than the grivaveyaka, another throat ornament category, since kanthi encompasses a wide range of forms including bead strings, collar-like bands, and linked decorative plaques. Textual Foundations The Manasara, one of the most authoritative treatises on Hindu architecture and iconometry, places the kanthi among the grivabharanas, the class of neck ornaments. It specifies that the kanthi should be proportionate to the circumfe...

Parvati's mother, Queen Mena, questions her daughter's decision to marry the ascetic Shiva, unable to understand why a princess would choose a life seemingly devoid of wealth and worldly comforts. Through a divine experience orchestrated by Mahadeva himself, Mena discovers that true greatness lies not in material possessions or royal status, but in wisdom, compassion, and spiritual truth. This inspiring narrative reminds us that everything in the material world is temporary, while love, devotion, and inner realization are eternal. Parvati's Mother Questions Her Choice Once, Goddess Parvati's mother asked her: "My daughter, what special quality did you see in that cremation-ground dweller, that outcaste, to fall in love with him? He has no home of his own, no family or relatives worthy of mention. You are the princess of this kingdom. Think carefully, my child. By giving up all these comforts and luxuries, aren't you choosing a life that is no different from h...