Tithi in Panchang – Hindu Calendar on Monday, July 20 2026 – It is Shukla Paksha Sashti tithi or the sixth day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Sashti tithi or the sixth day during the waxing or light phase of moon till 6 :56 AM on July 20. Then onward it is Shukla Paksha Saptami tithi or the seventh day during the waxing or light phase of moon till 6 :59 AM on July 21. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on July 20, 2026 as per Hindu Calendar – Good and auspicious time on the entire day.  Nakshatra  – Hasta or Atham nakshatra till 11:06 PM on July 20. Then onward it is Chitra or Chithirai or Chithira nakshatra on the entire day on July 21 and till 12:13 AM on July 22. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north...

Dancing at the Edge of the Absolute: The Yogini Chakra in Tantric Tradition In the heart of Hindu Tantric tradition lies one of its most profound and visually arresting concepts — the Yogini Chakra, the sacred circle of sixty-four Yoginis who dance in eternal rhythm at the margins of the cosmic order. These are not mere attendants or minor goddesses. The Yoginis are fierce, autonomous, luminous beings — part divine, part wild, existing at the threshold between the human and the transcendent. They are simultaneously terrifying and liberating, embodying the raw, unmediated power of Shakti in her most elemental form. The Tantric scriptures, particularly the Yogini Tantras, the Kularnava Tantra, and the Rudrayamala Tantra, describe these sixty-four Yoginis as emanations of the supreme goddess — each a distinct power, a distinct aspect of cosmic reality, yet together forming a unified whole. Their number, sixty-four, is itself sacred, corresponding to the sixty-four arts described in clas...

The Unseen Mastery: Krishna's Archery Feat Among the many episodes describing Bhagavan Krishna's marriages, the winning of Lakshmana, one of his principal queens known as the Ashta Bharya, stands apart for the sheer difficulty of the test involved. While the Mahabharata's famous fish-eye trial at Draupadi's swayamvara is widely celebrated as the ultimate test of archery, the Puranic account of Lakshmana's swayamvara describes a feat that demanded far more than skill with the bow. It required perfect balance, precise judgment of a reflected image, and total composure under an added physical constraint. The Concept of the Test According to the Bhagavata Purana, Canto 10, which narrates the marriages of Krishna's principal queens, several kings and princes had assembled to win the hand of Lakshmana. The challenge set before the suitors was to strike a moving target, the eye of a fish, while judging its position only through its reflection in a vessel of oil placed ...

Aksha Krida: When Shiva and Parvati Play, the Universe Is Born Among the most profound and visually arresting images in the entire Hindu sacred tradition is that of Shiva and Devi Parvati seated together, deeply absorbed in a game of dice. At first glance, this appears to be a tender domestic scene between husband and wife — an intimate moment shared between the Transformer and his beloved consort atop the icy peaks of Kailasa. But look deeper, and the image reveals itself to be one of the most philosophically loaded symbols in all of Hindu thought. This is not merely play. This is the very mechanism by which the universe is created, sustained, and ultimately withdrawn. The game they play is the ancient game of backgammon, known in Sanskrit as aksha krida or dyuta. But in their divine hands, the board becomes the cosmos, and every throw of the dice echoes across all of creation. The Cosmic Symbolism of the Game The Kashikhanda section of the Skanda Purana lays out the symbolic ar...

Dvarapalas of Vishnu Temples: Sacred Forms and Symbolism of Jaya and Vijaya In the grand tradition of Hindu temple architecture and iconography, few figures carry as profound a significance as Jaya and Vijaya — the eternal doorkeepers of Bhagavan Vishnu. Known collectively as dvarapalas, or gate-guardians, these two mighty beings stand sentinel at the entrance of Vishnu temples, embodying the transition between the ordinary world and the sacred realm of the divine. Their presence at the threshold is not merely decorative; it is deeply theological. To cross past Jaya and Vijaya is to symbolically leave behind the realm of ignorance and step into the sanctified space where the Supreme Being dwells. The names themselves carry meaning. Jaya means "victory," and Vijaya also means "conquest" or "triumph." Together, they represent the twin qualities of spiritual and worldly mastery that a devotee must aspire to before approaching the divine. Their very position...

Jagaddhatri: The Cosmic Sustainer and Her Threefold Worship in Kubjika Tantra In the vast and layered landscape of Shakta Tantrism, Jagaddhatri occupies a position of profound cosmological significance. Her very name declares her nature — Jagat, meaning the world or the moving universe, and Dhatri, meaning she who holds, sustains, and nourishes. She is not merely a deity of protection but the living force that upholds the fabric of existence itself. She is a direct manifestation of Adi Shakti, the primordial feminine energy that underlies all creation, preservation, and dissolution. The Kubjika Tantra, one of the important texts within the Kaula and Shakta Tantric traditions, presents Jagaddhatri as Tri-Sandhya-Vyapini — she who pervades the three junctures of the day. This is not a casual liturgical arrangement. It is a precise cosmological map that aligns the goddess with time itself, with the rhythms of nature, and with the three fundamental qualities — the Gunas — that govern all...

 From Curse to Divinity: The Origin Story of Betal The Kalika Purana, a text composed around the tenth century in Assam and dedicated chiefly to the worship of Devi Kali and Devi Kamakhya, preserves one of the most layered origin accounts of Betal, also called Vetala. From chapter forty seven onward, the Purana narrates how two beings named Mahakala and Bhringi, sons of Hara born from two drops of his spilled seed, were appointed by Shiva and Parvati as gatekeepers while the divine couple enjoyed privacy in their abode. When Parvati stepped out in a dishevelled state, the two attendants happened to look upon her. Feeling that they had witnessed something meant only for her husband, she cursed them to be reborn on earth as humans bearing monkey like faces. The Counter Curse and the Wrathful Power What makes this account distinctive is that Mahakala and Bhringi did not accept the curse passively. They protested that they were merely fulfilling their duty and were innocent of any ...

Anupalabdhi: Understanding Non-Perception as a Valid Source of Knowledge In the rich tradition of Hindu epistemology, the Mimamsa Darsana holds a distinctive position when it comes to discussing sources of knowledge. One of its intriguing contributions is the doctrine of Anupalabdhi —commonly translated as non-perception. Contrary to the common assumption that knowledge only arises from the presence of sensory data, Anupalabdhi asserts that the absence or non-perception of an object can itself be a valuable and immediate source of cognition. This doctrine has been pivotal in shaping an understanding of how humans ascertain reality and non-reality in their lived experiences. The Doctrine of Anupalabdhi At its core, Anupalabdhi deals with recognizing the non-existence of an object. Consider the scenario where a jar, previously present on a table, is no longer perceptible. Mimamsa philosophers argue that this lack of perception is not an absence of knowledge but is, in fact, a form of ...

When the Dice Fall: Gambling, Fate, and the Human Soul in the Mahabharata The Mahabharata is not merely a tale of war. It is a profound meditation on dharma, human frailty, and the consequences of choice. At the heart of this vast epic lies a deceptively simple object — a set of dice — whose roll sets in motion one of the greatest catastrophes in all of Hindu sacred history. Two kings, Yudhishthira of the Kuru lineage and Nala of Nishadha, are bound together across the pages of this epic not by blood or battle, but by the shared ruin of a dice game. Their stories, told in different sections of the Mahabharata, illuminate with startling clarity what it means to be human — capable of great virtue, yet vulnerable to devastating weakness. The Game and Its Stakes Yudhishthira, eldest of the Pandavas and a man celebrated for his commitment to truth and dharma, is invited by the scheming Duryodhana to a game of dice at Hastinapura. The game is rigged from the start, with the cunning Shaku...

The essence of all scriptures can be encapsulated in the ancient Hindu saying: "Doing good to others is merit and doing bad to others is sin." This profound wisdom emphasizes the fundamental ethical and moral principles that underpin many religious and philosophical systems, particularly within Hinduism. Ethical Foundation : At its core, this saying underscores the importance of ethics in human conduct. It suggests that our actions towards others are the primary measure of our moral standing. Doing good, which can include acts of kindness, generosity, compassion, and support, is viewed as meritorious. These actions contribute positively to the well-being of others and, by extension, to the harmony of the community and the world. Concept of Karma : This saying is deeply rooted in the concept of karma, which is a central tenet in Hindu philosophy. Karma refers to the law of cause and effect where every action has consequences. Good actions (good karma) lead to positive outcomes...