Tithi in Panchang – Hindu Calendar on Saturday, September 19 2026 – It is Shukla Paksha Ashtami tithi or the eighth day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Ashtami tithi or the eighth day during the waxing or light phase of moon till 2 :19 PM on September 19. Then onward it is Shukla Paksha Navami tithi or the ninth day during the waxing or light phase of moon till 4 :23 PM on September 20. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on September 19, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Mool or Moolam nakshatra on the entire day on Sept 19 and till 1:48 AM on September 20. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Mool or Moolam ...

Shiva's Spotted Deer or Krishna Mriga - Iconography and Spiritual Significance Among the many objects held in the multiple hands of Shiva, the spotted deer — the krishna mriga — stands apart. It is not a weapon. It is not a tool of destruction. It is a living creature, caught mid-leap, held firmly yet gently in Shiva's upper left hand. This single image encodes centuries of theological thought, cosmological understanding, and devotional wisdom. To understand why Shiva holds a deer is to understand something fundamental about his nature. The Narrative: From Monster to Emblem The story behind the deer begins in a forest of sages. When Shiva, in his form as Bhikshatana — the wandering mendicant of incomparable beauty — entered the hermitages of the Saptarishis, the seven great sages, their wives were overwhelmed by his radiance and fell deeply drawn to him. The sages, consumed by pride and indignation, chose to see this as transgression rather than divine grace. They turned ...

Indra Helping Sage Utanka In Overcoming Takshaka in Mahabharata The story of Utanka appears in the Poushya Parva of the Adi Parva, the first book of the Mahabharata. It is narrated by Sauti to the sages assembled at Naimisharanya and later recounted by King Janamejaya's court, forming one of the important side-narratives that explain the deep animosity between Janamejaya and the serpent race, which eventually leads to the Sarpa Satra (snake sacrifice). Utanka was a disciple of the sage Veda, who served his guru with great devotion for many years. Pleased with him, Veda permitted Utanka to return home. As a parting gesture, Utanka approached his guru's wife to ask if she required any Guru Dakshina. She asked him to fetch the earrings worn by Queen Ahilya, wife of King Poushya, since she wished to wear them during an important ritual occasion. The Quest and the Theft Utanka travelled to King Poushya's kingdom, met the queen, and through his spiritual merit obtained the ...

Sharabha: The Composite Man-Lion-Bird Form of Shiva and Its Symbolism Sharabha is a rare and powerful form of Shiva described in texts such as the Shiva Purana, Linga Purana, Kalika Purana, the Sharabha Upanishad, and the Uttara-Kamika Agama, along with the later compilation Sritattvanidhi. According to these sources, after Narasimha, the man-lion form of Vishnu, killed Hiranyakashipu to protect his devotee Prahalada, his fury remained unchecked even after the demon's death. The devas, alarmed at this continuing rage, approached Shiva for a resolution. Shiva first sent Veerabhadra to pacify Narasimha, and when this did not succeed, Shiva himself assumed the Sharabha form, an embodiment combining the strength of a lion, the swiftness of a bird, and the intelligence of a man, to restore Narasimha to his calm state as Vishnu. Iconographic Description The Uttara-Kamika Agama describes Sharabha as predominantly bird-like in form (paksyakaram), with two wings held upright (urdhva-pak...

Parisankhya Vidhi: The Principle of Exclusionary Knowledge in Vedic Interpretation The ancient science of Vedic interpretation, known as Mimamsa, provides systematic principles for understanding the precise meaning of sacred texts. Among the most sophisticated hermeneutical tools developed by the great sages is the classification of Vedic injunctions or vidhis. The Purva Mimamsa school identifies three fundamental categories of injunctions that guide practitioners in correctly understanding and performing Vedic rituals: Apurva Vidhi, Niyama Vidhi, and Parisankhyavidhi. Pari Sankhyavidhi stands as one of the most nuanced principles in this framework, representing the profound wisdom of the ancient seers in resolving ambiguities that arise during ritual practice. This injunction embodies the principle of exclusionary knowledge, where clarity is achieved not merely by stating what should be done, but by explicitly excluding what should not be done. Understanding the Etymology and Core ...

Dhara, the Vasu of Earth: Sacred Form, Sculptural Grace, and Vedic Meaning Among the vast pantheon of Hindu tradition, the Ashtavasus occupy a position of profound theological significance, though they remain among the lesser-celebrated divine beings in popular worship. The term Ashtavasus translates directly as the "Eight Vasus," the word Vasu itself deriving from Sanskrit, meaning "the bright ones" or "those who dwell in radiance." These eight divine attendants serve as elemental and cosmic forces that sustain the universe, each governing a fundamental principle of existence. They are named Apah, Dhruva, Soma, Dhara, Anbila, Anala or Agni, Pratyusha, and Prabhasa. Collectively, they form part of the thirty-three principal categories of divine beings described in the Vedic tradition, and they appear as attendants of Indra, the ruler of the celestial realms. The Mahabharata narrates a celebrated account of the Ashtavasus, wherein they were cursed by the sa...

The Sacred Assembly: Understanding the Parishad System in Ancient Hindu Governance and Spiritual Guidance In the rich tapestry of ancient Hindu civilization, the concept of Parishad emerges as a profound institutional framework that bridged spiritual wisdom with practical governance. Derived from the Sanskrit root meaning "a gathering of people sitting around," the Parishad represented far more than a mere consultative body—it was the embodiment of collective wisdom, dharmic authority, and the sacred principle that truth emerges through righteous deliberation. The ancient Hindu sages recognized that while the Vedas provide eternal principles and universal truths, the complexities of human existence require contextual interpretation and application. As the Taittiriya Upanishad (1.11) advises: "Yesham tvete kama bhaveyuh, ye tatra brahmana sammarshinah shila sampannah, yuktah ayuktah, aluksha dharma karah syuh—For those who have doubts about dharma, they should follow an...

Hayagriva Madhava: The Rare Horse-Headed Vishnu Temple at Hajo in Assam Temples built exclusively for the worship of Hayagriva, the horse-headed form of Bhagavan Vishnu, are extremely rare across India. The Hayagriva Madhava Temple at Hajo in Assam is one of the few shrines where this form is enshrined as the principal deity. Devotees who come here believe that just as Vishnu once rescued the Vedas in his Hayagriva form, he continues to rescue people from the burdens of life. This belief draws a steady stream of pilgrims who arrive with personal difficulties, seeking relief and guidance. Location and History The temple stands on Manikut Parvat, also called Monikut hill, about 28 kilometres west of Guwahati in Kamrup district. The present structure was rebuilt in 1583 CE by the Koch king Raghudeva, who ruled from 1581 to 1603 CE. It was constructed over the ruins of an older temple dated to the 10th and 11th centuries CE, evidence of which survives in the plinth, where friezes of elepha...

Agra Kundala or Prag-Bhaga: Sacred Adornment of the Frontal Ear in Hindu Iconography Among the many layers of sacred adornment that define Hindu divine imagery, the agra kundala stands as one of the most refined and symbolically charged ornaments. Positioned along the upper rim or frontal portion of the ear, curving gracefully toward the cheek, it is distinct from the karna kundala that hangs at the earlobe. The traditional texts identify it through the precise Sanskrit designation prag-bhaga-vinyasta-kundala, meaning the earring placed toward the front portion of the ear. This placement is not incidental. In Hindu sculptural tradition, every inch of the divine body carries intention, and the agra kundala is no exception. It appears with striking regularity in images of Shiva, Bhagavan Vishnu, and the various forms of Devi. Whether rendered in stone at the great temple workshops of the Pallava, Chola, or Chalukya periods or cast in bronze by master craftsmen of South India, the ornam...

A Ritual in Every Bite: The Tantric Wisdom Behind the Newari Platter Of Samay Baji In most cultures, food nourishes the body. In the Newari tradition of the Kathmandu Valley, food does something far more profound — it maps the cosmos. The Samay Baji platter, familiar to anyone who has attended a Newa festival or feast, is not merely an arrangement of beloved flavors. It is a carefully constructed ritual offering encoding the Pancha Tattva, the five primordial elements that Tantric and Vedic philosophy hold to be the building blocks of all existence. The Five Elements and Their Scriptural Foundation The Pancha Tattva — Akash (ether), Vayu (air), Agni (fire), Jala (water), and Prithvi (earth) — appear throughout the foundational texts of Hindu thought. The Taittiriya Upanishad teaches that from the Atman, space arose; from space, air; from air, fire; from fire, water; from water, earth. This sequence is not merely cosmological poetry. It is the template through which Tantric ritu...