Two Faces of Shakuntala - What Vyasa and Kalidasa Reveal About Love, Truth, and the Soul of Womanhood Few characters in the vast ocean of Dharmic literature have been told and retold with such divergence of spirit as Shakuntala. Born of the celestial apsara Menaka and the sage Vishwamitra, raised by the rishi Kanva in the serenity of a forest hermitage, Shakuntala appears in two towering works of Indian tradition — the Adi Parva of the Mahabharata composed by Veda Vyasa, and the celebrated Sanskrit drama Abhijnanasakuntalam by the poet Kalidasa. Both tell her story. Yet the Shakuntala of Vyasa and the Shakuntala of Kalidasa are, in spirit and substance, two remarkably different women — and that difference carries profound philosophical meaning. The Story as Vyasa Tells It In the Mahabharata, Shakuntala is a woman of fierce inner strength and unshakeable self-awareness. When King Dushyanta arrives at the ashrama of Kanva, they enter into a Gandharva marriage — a union based on mutua...