The Third Eye of Shiva and Durga: Destruction and Creation in Divine Balance The Burning of Kamadeva: Shiva's Path of Renunciation In the sacred narratives of Hinduism, the third eye represents divine consciousness and supreme spiritual power. When Shiva, absorbed in deep meditation after the loss of Sati, was disturbed by Kamadeva, the god of desire, he opened his third eye in righteous fury. The resulting blaze reduced Kamadeva to ash instantly. This dramatic event, detailed in various Puranas including the Shiva Purana, symbolizes the transcendence of worldly desires and the victory of consciousness over sensory temptations. The third eye of Shiva is called the Jnana Chaksu, the eye of wisdom. It represents the awakened state of pure awareness that burns away illusion, attachment, and desire. For Shiva, who embodies the ascetic ideal and represents the ultimate reality beyond form, the destruction of Kamadeva was necessary. It demonstrated that true liberation comes only whe...

The Fire of Awakening: Understanding Shiva's Destruction of Kamadeva The Sacred Narrative In Hindu sacred texts, one of the most profound episodes involves Lord Shiva incinerating Kamadeva, the god of desire and love, to ashes with his third eye. This event occurred when Kamadeva, at the behest of the gods, attempted to disturb Shiva's deep meditation by shooting his flower arrows at him. The intention was to awaken romantic feelings in Shiva toward Parvati, but the disturbance provoked a different response altogether. The moment Shiva opened his third eye, Kamadeva was reduced to ashes, earning him the name Ananga, meaning "one without body." The Third Eye: Gateway to Higher Consciousness The third eye, positioned at the center of the forehead, represents far more than a physical attribute in Shaiva philosophy. It symbolizes jnana-chaksu, the eye of wisdom and spiritual insight. While our two physical eyes perceive the material world of duality and separation, th...

In the vast panorama of spiritual wisdom, Hindu philosophy stands out for its profound insights into the nature of truth and the human condition. A recurring observation among sages and spiritual teachers is that “Most people know the truth but fail in its practical application to one’s life.” This idea, deeply embedded in Hindu thought, speaks to the perennial gap between intellectual understanding and lived experience. While many may have an intuitive or even scholarly grasp of what is ultimately real—what Hinduism terms as Satya (truth)—transforming this knowledge into daily living is a challenge that has intrigued and troubled spiritual aspirants across the ages. In this article, we will delve into the meaning and symbolism of this idea, examine teachings from ancient scriptures and modern gurus, and explore practical methods to bridge the gap between knowing and doing. Through this exploration, we aim to offer insights into how one can move from mere theoretical knowledge to a li...

Tithi in Panchang – Hindu Calendar on Thursday, February 19 2026 – It is Shukla Paksha Dwitiya tithi or the second day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Dwitiya tithi or the second day during the waxing or light phase of moon till 4 :18 PM on February 19. Then onward it is Shukla Paksha Tritiya tithi or the third day during the waxing or light phase of moon till 3 :05 PM on February 20. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on February 19, 2026 as per Hindu Calendar – Good and auspicious time on the entire day.  Nakshatra  – Purva Bhadrapada or Pooruruttathi Nakshatra till 9:18 PM on February 19. Then onward it is Uttara Bhadrapada or Uthrattathi Nakshatra till 8:39 PM on February 20. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujara...

Avani Moolam: When Lord Shiva Carried Sand for His Devotee at Madurai Meenakshi Temple The Madurai Meenakshi Temple, one of the most magnificent shrines in South India, celebrates numerous festivals throughout the year that showcase the divine play of Lord Sundareswarar (Shiva) and Goddess Meenakshi. Among these celebrations, the Avani Moolam festival (Puttu festival) stands out as a unique testament to Lord Shiva's boundless compassion for his devotees, demonstrating that the Supreme Lord himself descends to serve those who worship him with pure devotion. The Historical Account The origins of Avani Moolam Puttu festival date back to the era of the Pandya kings who ruled Madurai with righteousness and prosperity. During one particular reign, the sacred River Vaigai, which has nourished Madurai since ancient times, began flooding its banks, threatening the entire city and its inhabitants. Understanding the gravity of the situation, the Pandya king issued a royal decree that ever...

The Slaying of Chanda and Munda: When Divine Wrath Manifests to Destroy Evil The seventh chapter of the Devi Mahatmya, also known as Shri Shri Chandi or Durga Saptashati, recounts one of the most powerful episodes in Hindu sacred literature. When the demon king Shumbha commanded his two mighty generals, Chanda and Munda, to capture Goddess Durga, they marched forth with overwhelming confidence. Leading vast armies of cavalry and elephants, these demon commanders approached the Goddess who sat alone upon her lion mount. Their arrogance knew no bounds, and seeing her solitary figure, they burst into mocking laughter, convinced that victory would be theirs without effort. The Transformation of Divine Energy What the demons failed to comprehend was that they were not facing an ordinary adversary. The Divine Mother, witnessing their hubris and disrespect, underwent a spectacular transformation. Her fury intensified to such a degree that her fair complexion turned red with rage, and then ...

Annambhatta is a 17th century CE philosopher and logician. He has written a primer on Hindu logic called Tarkasamgraha. Every beginner of Hindu logic is familiar with the name of Annambhatta. The lucidity of style, simplicity of expression and good communication skills in simple Sanskrit are the defining features of his works. He hailed from Andhra Pradesh and flourished in the latter part of the 17 th century CE. He was the son of Meligiri Tirumalaraya and the younger brother of Sarvadeva. He was the disciple of Brahmendra Sarasvati, a stalwart of Advaita Siddhanta. He learnt Sanskrit grammar from Pandit Visvesvara and studied Vedanta and Mimamsa under the able guidance of Pandita Visvanatha of Varanasi. He mastered Nyaya, Mimamsa, Vyakarana and Advaita Vedanta and wrote a number of learned commentaries on these subjects. The better known and most popular amongst them are in the field of Purva Mimamsa and Vedanta. He wrote a voluminous commentary called Ranakojjivani on Nyayasudha of...

Meaning and Symbolism The term Jyotishmati is derived from the Sanskrit roots "Jyoti" (light) and "mati" (mind or intellect). It literally translates to "full of light" or "illuminated consciousness." In the context of Yoga, it signifies a state of inner illumination, clarity, and wisdom. This radiance is not physical but metaphysical, representing a mind imbued with sattva (purity and harmony), which leads to self-awareness and freedom from suffering. Importance in Yoga In the Yoga Sutras of Patanjali (1.33-39), several techniques are prescribed for attaining a steady and tranquil mind. Meditating on the sushumna nadi —the central channel of energy that runs along the spine—is one such method. This practice brings about an illuminated understanding of the chitta (mind or consciousness). The light of Jyotishmati represents the yogi's transcendence over ignorance and emotional turbulence, culminating in liberation ( moksha ). Symbolis...

Sringara Rasa is one of the nine rasas described in the texts of Hindu poetics. This sentiment arises from sthayi bhava called rati. It has two substrata – Sambhoga (love in union) Vipralambha (love in separation) Love in union arises from vibhavas (causes) such as seasons, garlands, ointments, ornaments, beloved people, sense objects, superb mansions, garden visit, looking at one’s beloved accompanied by sports, dallying, etc. It should be represented on the stage through anubhavas such as clever movement of the eyes, eyebrows, glances, graceful and gentle body movements and soft words. Vyabhicaribhavas of this sentiment do not include alasya (laziness), krodha (anger) and jugupsa (disgust). Love in separation should be represented on the stage through vyabhicaribhavas, nirveda (discouragement), glani (weakness), etc. The distinction between vipralambha sringara and karuna (pathos) is as follows – karuna rasa relates to nirapkeshabhava (loss of hope) and arises from sadness ...

Invoking Durga's Protection: The Spiritual Significance of Dugga Dugga The Ancient Practice of Divine Protection In Bengali Hindu households, when a loved one prepares to leave the home for a journey, elders reverently utter "Dugga Dugga" – a profound spiritual invocation that carries centuries of devotion and trust. This simple yet powerful phrase is not merely a farewell but a sacred prayer seeking the divine protection of Goddess Durga, ensuring the traveler's safe passage and successful return. The practice reflects the deep-rooted belief that no journey, whether physical or metaphorical, should begin without invoking the Mother's blessings. The Name Durga: Destroyer of All Suffering The very name "Durga" holds immense spiritual significance. Derived from the Sanskrit root "durg," meaning fortress or a place difficult to access, Durga represents the divine force that protects devotees from the fortresses of suffering and ignorance. She ...