Tithi in Panchang – Hindu Calendar on Sunday, November 8 2026 – It is Krishna Paksha Chaturdashi tithi or the fourteenth day during the waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Chaturdashi tithi or the fourteenth day during the waning or dark phase of moon till 10 :51 AM on November 8. Then onward it is Amavasya tithi or the no moon day till 11 :32 AM on November 9. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on November 8, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Chitra or Chithirai or Chithira nakshatra till 6:21 AM on November 8. Then onward it is Swathi or Chothi nakshatra till 7:29 AM on November 9. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Ch...

Beyond a Single Form – The Hindu Vision of Shakti in Multiplicity In Hinduism, the Divine Feminine, Shakti, is worshipped as Durga and Kali in her singular, complete forms. Yet across temples, texts and living traditions, she is just as often worshipped in groups — the Three Pindis, the Saptamatrikas, the Ashta Matrikas, the Nava Durga, and the celebrated 51 Shaktipeeth and 64 Yoginis. This is not repetition or confusion. It is a deliberate spiritual statement: the Mother of the universe is too vast to be captured in a single image, name or story, so the tradition offers her to us in many. Why the Mind Needs Many Forms The human mind works through comparison, division and naming. When it tries to grasp something infinite, it instinctively breaks it into parts it can hold. Shakti, as the source and substance of creation, is beyond words, thought and imagination. The Devi Mahatmya and the Lalita Sahasranama both describe her as the power behind every form of existence, present in all...

When Takshaka Burnt a Tree and Kashyapa Brought It Back in Mahabharata The Mahabharata is not only the story of the Kuru family and the war of Kurukshetra. It is also a big collection of teachings on dharma, karma, knowledge and the limits of power. In the Astika Parva of the Adi Parva, there is a short but meaningful incident about Sage Kashyapa and the snake king Takshaka. This incident is found in Chapter 39, and it shows how real knowledge can do what even deadly poison cannot undo. Background of the Incident King Parikshit, the grandson of Arjuna, was cursed that he would die by the bite of Takshaka on the seventh day. When Sage Kashyapa heard about this curse, he decided to go to the king and save him. He was an expert in mantras for curing snake poison, and he felt that it was his duty to protect a king who protects his people. On the way, he met Takshaka, who had come in disguise as a Brahmana. Takshaka asked him where he was going. After learning the purpose, Takshaka said tha...

Balarama in the Dashavatar: The Plough of Strength, Duty, and Civilization In the Dashavatar tradition, Balarama represents an important stage in the evolution of human consciousness and civilization. While earlier avataras establish the principles of protection, righteousness, and the restoration of cosmic order, Balarama symbolizes the transformation of physical strength into constructive action. His presence reflects a phase where power is no longer exercised merely for survival or conquest but is directed toward nurturing society, sustaining life, and preparing humanity for higher spiritual understanding. Balarama is widely recognized by his plough (hala), which serves as his primary symbol. Unlike weapons intended solely for warfare, the plough transforms the earth to make it fertile and life-sustaining. This symbolism conveys that true strength is measured not by the ability to destroy but by the ability to create, protect, and nourish. The Spiritual Meaning of the Plough T...

The Sacred Trinity: Understanding Dakini and Yogini as Manifestations of the Three Gunas in Kali Worship The Divine Companions of Mother Kali During Kali Puja, the fierce goddess Kali is accompanied by her attendant deities known as Dakini and Yogini. These companion forms appear terrifying to the uninitiated eye—wild-haired, blood-drinking, and seemingly consumed by desire and vengeance. However, beneath their fearsome exterior lies a profound philosophical truth that speaks to the very nature of existence and the spiritual journey of every devotee. The Three Gunas: Foundation of Existence The Bhagavad Gita illuminates the concept of the three Gunas that pervade all of creation. Lord Krishna explains: "Sattvam rajas tama iti gunah prakriti-sambhavah" (Bhagavad Gita 14.5), meaning the qualities of goodness (Sattva), passion (Rajas), and ignorance (Tamas) are born of material nature and bind the embodied soul. These three qualities are not merely philosophical abstraction...

For nearly a hundred years, the tradition of fanus — the sky lantern — has been a part of Kolkata’s Diwali and Kali Puja celebrations. Its origin story is as bright as fireworks themselves. History Of Fanus In Kolkata Once upon a time, in the Sutanuti area of Kolkata, almost every household would release fanus on Kali Puja night. There’s no written record of exactly when the first lantern was flown in the city. But according to popular belief, the first fanus in Kolkata was released in 1912 in the tailor’s neighborhood of Bidhan Street, North Kolkata. At that time, the “Babu culture” — a symbol of refined, upper-class sophistication — was at its peak. Amid that era, the first fanus was flown into the city’s sky by Gaurishankar Dey, a mathematics professor at Scottish Church College. In 1925, the family of Bholanath Dutta at Bholanath Dham on Bidhan Street began their own fanus tradition. Soon, the custom spread to other houses in North Kolkata as well. On Kali Puja evenings, ...

How the Sacred Sweet from the Putrakameshti Yajna Was Distributed Among Dasharatha’s Wives In Valmiki Ramayana, Bala Kanda, chapter 15, we read about an important moment in the life of King Dasharatha. The king of Ayodhya had no son, so he performed the Putrakameshti Yajna with the guidance of sage Rishyashringa. At the end of the yajna, a divine being rose from the sacrificial fire carrying a vessel of payasam. This payasam was sent for the king so that he could get sons. Dasharatha took it with great respect and joy. How the Payasam Was Distributed After receiving the payasam, Dasharatha went to the inner quarters of the palace. He first went to Koushalya, his eldest queen, and told her to accept the payasam for the sake of getting a son. He gave her half of the whole payasam. Then he took half of what was remaining and gave it to Sumitra. After that, he gave half of the remaining portion to Kaikeyee, again for the sake of getting a son. Now only a small part was left. Dasharat...

The Sacred Form of Shuddha Varahi: A Study in Tantric Iconography Within the vast tapestry of Devi worship, Varahi occupies a unique position as one of the Sapta Matrikas, the seven divine mothers who embody the shakti of the principal devas. Among her many forms, Shuddha Varahi stands apart as a rarely documented yet deeply significant manifestation, whose iconography is preserved primarily through tantric texts and ritual manuals rather than mainstream sculptural treatises. Her form, though seldom carved in public temple art, carries profound philosophical weight within the Shrividya tradition, where she is honoured as a protector and remover of obstacles for the sadhaka. Iconographic Description Shuddha Varahi is depicted seated in lalitasana, the posture of royal ease, with one leg folded and the other resting gracefully downward, signifying both approachability and sovereign authority. She possesses four arms, each holding a symbolically charged object: a trishula representing...

Matsya Nyaya and the Battle for Dharma: What the Human-Demon Wars Really Mean in Hinduism In Hindu scriptures, the recurring battles between humans and Rakshasas are often read at face value as tales of good fighting evil. But underneath the drama of Ramayana, Mahabharata and the Puranas lies a far more layered idea. This is not simply a war between two species. It is a war between two ways of organising existence: the rule of civilisation, restraint and shared responsibility, versus the rule of raw power, appetite and domination. Understood this way, the human-Rakshasa conflict becomes a mirror for something every person still struggles with today. What is Matsya Nyaya Hindu texts describe a state of nature called Matsya Nyaya, the law of the fishes. In this state, the big fish devours the small fish simply because it can. There is no concept of mercy, fairness or protection for the weak. Rakshasas are frequently shown living by exactly this logic. They take what they want, be it ...

The Ego's Comedy Show: How Pride Blocks the Path to Bliss In the grand theater of human existence, there's one character that always manages to steal the spotlight, even when it shouldn't – the ego. Like an overenthusiastic actor who refuses to leave the stage, the ego constantly interferes with life's most profound performances. According to Hindu teachings, this persistent scene-stealer is the primary obstacle preventing us from experiencing true bliss and liberation right here on Earth. The Earthly Promise of Liberation Unlike many spiritual traditions that promise salvation in distant realms, Hinduism offers something revolutionary: the possibility of achieving moksha – complete liberation – while still breathing, walking, and perhaps even enjoying a good cup of chai. This concept, known as jivanmukti (liberation while living), suggests that we don't need to wait for death to experience the ultimate freedom. The divine comedy, however, is that most of us are ...