Tithi in Panchang – Hindu Calendar on Monday, October 26 2026 – It is Purnima tithi or the full moon day in Hindu calendar and Panchang in most regions. It is Purnima tithi or the full moon day till 9 :57 AM on October 26. Then onward it is Krishna Paksha Pratipada tithi or the first day during the waning or dark phase of moon till 8 :27 AM on October 27. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on October 26, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Ashwini or Aswathy nakshatra till 7:16 PM on October 26. Then onward it is Bharani nakshatra till 6:18 PM on October 27. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Ashwini or Aswathy nakshatra till 5:41 PM on October 26. Then onward it is Bharani nakshatra...

Dakini and Varnini: The Sacred Energy Channels in Kali Puja In the profound tradition of Kali Puja, the worship of Goddess Kali extends beyond her primary form to include her divine attendants, Dakini and Varnini. These two goddesses are not merely peripheral figures but represent fundamental aspects of the subtle energy system that governs spiritual awakening. Their presence in Kali worship reflects the deep understanding of yogic physiology within Hindu tantric traditions, where external ritual worship (bahya puja) corresponds to internal spiritual transformation (antara puja). Dakini and Varnini are revered as the personifications of the two primary energy channels that flow through the human subtle body. Their worship during Kali Puja signifies the acknowledgment of these vital forces that must be harmonized and transcended for spiritual liberation. The Symbolism of Ida and Pingala Dakini represents the Ida nadi, the lunar channel that flows along the left side of the spine. Th...

Ananta Shesha Holds the Earth: Boon, Duty and Dharma - Mahabharata In the Mahabharata, the story of Shesha is told in the Adi Parva, in the section known as the Astika Parva Chapter 32. Shesha was one of the sons of Kadru and the brother of the many Nagas. But his mother and brothers were wicked, and they were always doing deceit and harming others. Shesha did not like this way of living. So he left his mother and his brothers and went away to do hard tapasya. His tapasya was very severe. He controlled his senses, lived on little food, and kept his mind fixed on one thing only. After a long time, Brahma became pleased with him and appeared before him. Brahma asked him to take any boon he wanted. The Boon Shesha Asked For Here we can see the real character of Shesha. Brahma was ready to give him anything, like power, a kingdom, long life or victory over his enemies. But Shesha did not ask for any of these. He only asked that his mind should always find joy in dharma, in peace of mind, a...

 Eyes on the Fish: The Marriage of Krishna and Lakshmana Among the eight chief queens of Krishna, known as the Ashtabharya, Lakshmana holds a distinctive place for the sheer difficulty of the trial that won her hand. Her father, King Brihatsena of Madra (named specifically in the Padma Purana, while the Bhagavata Purana refers to him simply as the ruler of Madra), announced a swayamvara, a self-choice marriage ceremony in which suitors compete for a princess's hand. The task set before the assembled kings and warriors was formidable: they had to pierce the eye of a fish mounted on a revolving wheel suspended from the ceiling, aiming not by looking at the fish directly but only at its reflection in a vessel of oil placed on the ground, all while balancing on the pans of a weighing scale. Krishna's Feat Where celebrated archers, including Duryodhana and Jarasandha, failed to strike the target, Krishna alone succeeded. Standing steady upon the scale, he lifted his bow, bowed h...

Jaya and Vijaya: The Divine Sentinels of Goddess Durga and the Eternal Symbol of Duality and Protection The Divine Companions of the Mother In the sacred celebration of Durga Puja in Bengal, the majestic image of Goddess Durga is often flanked by two female attendants— Jaya and Vijaya . They stand beside the ten-armed Mother, holding her weapons and assisting her in the eternal battle between dharma and adharma. While the Goddess herself embodies supreme power and compassion, Jaya and Vijaya represent the divine forces that protect, preserve, and execute her will in the cosmic order. Though their names echo those of the gatekeepers of Lord Vishnu in Vaikuntha, in the context of Goddess Durga, Jaya and Vijaya are revered as her shaktis , or personified energies. They are her extensions—symbols of courage, vigilance, and victory that help maintain balance and righteousness. The Story and Origins According to the Devi Mahatmya , part of the Markandeya Purana , when the gods were defe...

The Ashtabharya: Krishna's Eight Queens and the Eight Forms of Lakshmi In the Bhagavata Purana and the Vishnu Purana, Krishna's principal consorts are known collectively as the Ashtabharya, meaning "the eight wives." These were Rukmini, Satyabhama, Jambavati, Kalindi, Mitravinda, Nagnajiti (also called Satya), Bhadra, and Lakshmana. Each union is described not as a mere royal custom but as an event carrying deep spiritual meaning, binding the young kingdom of Dwaraka to neighbouring realms and, in doing so, spreading peace, trade and cultural exchange across the region. Alliances that Built a Kingdom Krishna was not a crowned king of Dwaraka, yet he came to be revered as Dwarakadhish, the protector and sovereign guide of the city. Through marriage, he formed bonds with powerful royal houses — the Vidarbha kingdom through Rukmini, the Satrajit lineage through Satyabhama, and others through Kalindi, Mitravinda, Nagnajiti and Bhadra. These alliances strengthened Dwar...

Non-Duality Through Devotion: The Message of Adi Shankaracharya Adi Shankaracharya is known as the greatest teacher of Advaita Vedanta, the philosophy of non-duality. He said Brahman alone is real and the individual self is not different from it. Then people get a doubt. If everything is one, why did he write beautiful hymns on Ganesha, Murugan, Shiva, Vishnu and Devi? Why did he promote murti worship and Srividya upasana? The answer is simple. Advaita is the final truth, but a person cannot jump into it in one day and declare "I have reached." Actually there is nothing to reach, because we are already That. But the mind is very difficult to control. Every day it creates a storm and throws a person here and there. For crossing this storm, a good boat is needed. Devotion to a deity is that boat. What the Scriptures Say The Rig Veda says "Ekam sat viprah bahudha vadanti" (Rig Veda 1.164.46). Truth is one, the wise call it by many names. So Murugan, Ganesha, Shiv...

Nilakeshvari Devi — Sailing Through the Ocean of Existence Within the vast and ever-expanding pantheon of Shakta and Srividya traditions, there exist countless forms of the Divine Mother, each carrying a unique iconographic signature that encodes a specific spiritual teaching. Nilakeshvari Devi, whose name translates roughly as "the goddess with dark or blue-black tresses," is one such rare and evocative form. She does not appear prominently in the widely circulated Puranic literature, yet she is preserved and worshipped within specialized Tantric and regional ritual manuals that describe her seated in a boat, oar in hand, gliding across the waters. This singular image places her among a small but significant group of Devi forms associated with water, navigation, and crossing over — themes that carry deep philosophical resonance in Hindu thought. The Iconographic Form Nilakeshvari is depicted seated within a boat, holding a long oar in her two hands as she rows across the...

The Bindu: Lalita Mahatripurasundari and the Supreme Secret of the Ninth Avarana - At the Crown of Meru: The Goddess of the Ninth Avarana and the Mystery of the Bindu The Mahameru is the three-dimensional, pyramidal manifestation of the Sri Chakra, one of the most revered and complex yantra forms in the Shakta Tantric tradition. Where the Sri Chakra is drawn as a two-dimensional diagram of concentric enclosures, interlocking triangles, and a central point, the Mahameru rises upward as a tiered mountain of geometry, with each enclosure or avarana stacked upon the next in ascending order of spiritual refinement. The devotee who meditates upon or circumambulates the Mahameru is understood to be journeying inward and upward simultaneously, moving from the outermost enclosure toward the absolute centre, shedding the outer layers of phenomenal existence with each step. There are nine avaranas in the Sri Chakra, each governed by a presiding deity, a distinct group of Shaktis, a specific...

From Darkness to Light: The Hindu Understanding of Redemption and Inner Divinity Hindu philosophy presents a profound truth that liberates even the most wayward soul: God never abandons anyone because the Divine resides within every being. The Bhagavad Gita declares, "Ishvarah sarva-bhutanam hrid-deshe 'rjuna tishthati" (18.61) - "The Supreme Lord is situated in everyone's heart, O Arjuna." This fundamental teaching establishes that regardless of our actions, thoughts, or moral standing, the eternal presence of God remains constant within us. The challenge lies not in God's absence but in our inability to perceive this inner divinity. Like a dusty mirror that cannot reflect light clearly, our consciousness becomes obscured by desires, ego, and ignorance. We commit acts that harm ourselves and others, driven by momentary pleasures and selfish impulses, yet the Divine witness within remains unchanged, patiently waiting for us to turn inward. The Lightni...