"Namaste Yoga" (by Ravi Chand, a film & TV producer from Melbourne, Australia) unfolds as a poignant narrative that delves into the intricate web of cultural appropriation and its impact on the self-worth of young individuals like Shiv. At the heart of the story is a 10-year-old boy who, grappling with shame about his Indian and Hindu heritage, finds himself thrust into an unexpected journey of self-discovery.
The catalyst for this transformative experience is a schoolyard fight that brings Shiv face to face with the necessity of attending mandatory lunchtime yoga classes to avoid suspension. Little does he know that these sessions, led by Miss Blanche, his home room teacher and self-proclaimed yoga "guru," will become a gateway to understanding his cultural identity.
Miss Blanche's character becomes both a vehicle for the narrative and a symbol of the cultural appropriation at play. Her well-intentioned yet misguided approach to yoga inadvertently highlights the commodification of ancient Hindu practices, stripped of their cultural and spiritual context. Through her lens, yoga becomes a trendy and exotified exercise rather than a sacred tradition.
As Shiv reluctantly participates in these classes, he
grapples with conflicting emotions. On one hand, there's a sense of resentment
for being forced into an activity that feels divorced from his roots.
The story unfolds as Shiv, with the guidance of his father, navigates the complexities of cultural appropriation and yoga a sacred Hindu practice. As he learns more about the rich history and spiritual significance of yoga, he begins to reclaim a sense of pride in his heritage. The narrative skillfully explores the broader implications of cultural appropriation, illustrating how it not only impacts individuals but also erodes the authenticity and sacredness of cultural practices.
"Namaste Yoga" is a thought-provoking exploration
of identity, self-acceptance, and the importance of preserving the integrity of
cultural traditions. It serves as a powerful reminder that understanding and
respecting diverse cultures is crucial in fostering a world where every
individual can embrace their heritage without fear of exploitation or erasure.
The film has already aired nationally on Australian TV and participated in major film festivals around the world (including two Oscar qualifying film festivals) and Maoriland (the largest Indigenous film festival in the Southern hemisphere). The film is preparing for its international release.