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Story of Hanuman Dancing on Ravana’s Head - Symbolism And Meaning

Hanuman dancing on Ravana’s head happened on the first day of the battle between Ram and Ravana in the Ramayana. When the first day of battle was about to end, Ravana appeared on the highest tower in Lanka. Ravan was disappointed to find his troops retreating defeated at the hands of monkeys and bears.

Hanuman, who happened to see Ravana standing on the tower, took a giant leap and landed on the demon king’s head.

Hanuman then began dancing on the ten heads of Ravana. He began kicking down the crowns of Ravan.



The entire Rakshasa army was in a state shock seeing this dishonorable act. Rakshasas (demons) put down their head in shame.

The vanaras (monkeys) and balukas (bears) were amused by this act and started roaring in approval.

Hanuman dancing on Ravana’s head is not part of Valmiki Ramayan but is mentioned as Hanuman’s heroics in many texts like the Bengali Krittibasi Ramayana..

Dancing on Ravana’s head was an attempt by Hanuman to put psychological pressure on the powerful demons. It did work very well. Soon self doubt crept among the demons and there was total disarray and lack of confidence. This was exploited by the Vanaras and Balukas.

Symbolism and Meaning Of Hanuman Dancing On Ravana's Head

The story of Hanuman dancing on Ravana’s head is not one of the mainstream narratives found in Valmiki’s Ramayana, but it appears in several regional retellings, folk traditions, and devotional texts, especially in South India and certain Vaishnava or Hanuman-centric traditions. It's a vivid and symbolic episode that emphasizes the themes of divine justice, humility, and the triumph of devotion over ego.

1. Humbling of Ego (Ravana’s Ahankara):

  • Ravana represents unchecked ego, pride, and attachment to power.

  • Hanuman, in contrast, symbolizes pure devotion (bhakti) and selfless service.

  • Hanuman dancing on Ravana’s head signifies the triumph of humility over pride, showing that ego, no matter how mighty, is powerless before true devotion.

2. Power of Bhakti:

  • Hanuman is not a king, god, or warrior in the conventional sense—he is a servant of Rama.

  • The act of dancing on Ravana’s head shows that even the mighty demon king cannot withstand the force of true bhakti.

  • It reinforces the devotional path (bhakti yoga) as more powerful than worldly strength or intellectual prowess.

3. Divine Justice and Cosmic Order:

  • The humiliation of Ravana at the hands (and feet) of Hanuman is a sign that adharma (unrighteousness) will be brought low.

  • Hanuman, an emissary of dharma (through Rama), serves as the instrument of cosmic justice.

4. The Leela (Divine Play):

  • Hanuman’s playful yet audacious act is also part of the divine play (leela). He is showing not just power but divine humor—a tool often used by gods and avatars to teach lessons through seeming irreverence.

Cultural and Devotional Context:

  • In Bhakti literature and performances like Ramleela, such episodes are dramatized to illustrate the invincibility of devotion.

  • Temples and folk songs in parts of India, especially Tamil Nadu and Andhra Pradesh, celebrate Hanuman’s exploits with imagery that includes him dancing over enemies or carrying Rama’s message with joy and might.

Moral and Spiritual Lessons:

  1. True strength lies in surrender and devotion.

  2. Arrogance invites downfall, no matter how powerful one may be.

  3. Dharma may appear humble, but it always triumphs.

  4. God’s messengers are empowered with divine authority—even kings must bow.

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