--> Skip to main content


A Comparison Between Mangala Kavyas in Bengali and Abhangs in Marathi

The literary traditions of India are rich and diverse, reflecting the cultural, religious, and philosophical ethos of their respective regions. Two such prominent genres are the Mangala Kavyas in Bengali literature and Abhangs in Marathi literature. Both genres hold a significant place in their respective cultural and religious contexts, yet they differ in form, themes, and purposes.

Historical Context

Mangala Kavyas (Bengali):

  • Time Period: The Mangala Kavyas emerged during the medieval period, particularly between the 13th and 18th centuries.
  • Cultural Context: These texts were composed in a time when Bengal was undergoing significant socio-religious transformations. They reflect the syncretic culture of Bengal, influenced by Hinduism, Buddhism, and local tribal traditions.
  • Purpose: Mangala Kavyas were written to glorify local deities and to establish their supremacy and benevolence, often integrating folk traditions with mainstream Hindu practices.

Abhangs (Marathi):

  • Time Period: Abhangs gained prominence from the 13th century onwards, especially during the Bhakti movement, which spanned the 13th to 17th centuries.
  • Cultural Context: The Bhakti movement in Maharashtra was marked by its emphasis on personal devotion (bhakti) to a personal god, transcending rigid caste barriers. This movement was spearheaded by saints like Jnaneshwar, Namdev, Eknath, and Tukaram.
  • Purpose: Abhangs were devotional hymns aimed at expressing the poet’s devotion to Vithoba (Vitthala), a form of Krishna. They were meant to be sung in communal gatherings, fostering a sense of unity and spiritual awakening.

Literary Form and Style

Mangala Kavyas:

  • Structure: These are long narrative poems, often composed in rhymed couplets or quatrains.
  • Language: Written in early Bengali, they incorporate a mix of Sanskrit and local dialects.
  • Themes: Mangala Kavyas primarily focus on the tales of deities like Manasa (snake goddess), Chandi (warrior goddess), and Dharma Thakur (local deity). They blend mythology with local legends, emphasizing the miracles and benevolent acts of the deities.
  • Tone: The tone is often celebratory and didactic, aiming to instill devotion and moral values in the listeners or readers.

Abhangs:

  • Structure: Abhangs are shorter lyrical poems, typically consisting of four-line stanzas (quatrains) with a simple, repetitive, and melodic structure.
  • Language: Written in Marathi, they use a straightforward and accessible language that could be easily understood and memorized by the masses.
  • Themes: The primary focus is on devotion to Vithoba, exploring themes of love, surrender, humility, and the transient nature of life. They often reflect personal experiences and emotions, making them deeply intimate and heartfelt.
  • Tone: The tone of Abhangs ranges from joyous and ecstatic to contemplative and sorrowful, mirroring the varied emotions of the devotees.

Religious and Social Significance

Mangala Kavyas:

  • Religious Role: These texts were instrumental in the process of Sanskritization, where local deities and practices were assimilated into the broader Hindu framework. They helped in popularizing the worship of regional deities and integrating them into mainstream Hinduism.
  • Social Role: Mangala Kavyas often addressed social issues, promoting values such as piety, charity, and social harmony. They were recited in public gatherings, making them an effective medium for mass communication and cultural transmission.

Abhangs:

  • Religious Role: Abhangs played a crucial role in the Bhakti movement, promoting the idea of a personal and direct connection with God, devoid of priestly intermediaries. They emphasized the universality of God and the equality of all devotees.
  • Social Role: By transcending caste and class barriers, Abhangs fostered a sense of social equality and community. They were sung in congregations (bhajan and kirtan sessions), thus serving as a unifying force in a stratified society.

Influence and Legacy

Mangala Kavyas:

  • Literary Influence: Mangala Kavyas have had a lasting impact on Bengali literature, influencing subsequent literary works and religious practices. They are considered precursors to later devotional and folk literature in Bengal.
  • Cultural Legacy: These texts have kept alive the rich mythological and folkloric traditions of Bengal, contributing to the region's cultural identity.

Abhangs:

  • Literary Influence: The simplicity and emotional depth of Abhangs have influenced Marathi literature profoundly, inspiring later poets and writers to adopt a similar style and devotional fervor.
  • Cultural Legacy: Abhangs continue to be an integral part of Maharashtra’s cultural and religious life. They are still sung in temples, during festivals, and in everyday religious practices, sustaining the legacy of the Bhakti saints.

While Mangala Kavyas and Abhangs originate from different regions and cater to distinct cultural and religious contexts, they both exemplify the rich tapestry of India's devotional literature. Mangala Kavyas, with their elaborate narratives and local deity worship, reflect the syncretic culture of medieval Bengal. In contrast, the Abhangs, with their lyrical devotion and egalitarian ethos, embody the spirit of the Bhakti movement in Maharashtra. Both genres, in their unique ways, have contributed significantly to the spiritual and cultural heritage of India.