Tithi in Panchang – Hindu Calendar on Friday, September 18 2026 – It is Shukla Paksha Saptami tithi or the seventh day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Saptami tithi or the seventh day during the waxing or light phase of moon till 12 :16 PM on September 18. Then onward it is Shukla Paksha Ashtami tithi or the eighth day during the waxing or light phase of moon till 2 :19 PM on September 19. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on September 18, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Jyeshta or Kettai or Triketta nakshatra till 11:10 PM on September 18. Then onward it is Mool or Moolam nakshatra on the entire day on Sept 19 and till 1:48 AM on September 20. (Time applicable in north, south and eastern parts of India).  In western par...

Before the First Light: The Sacred Dissolution of Mahakali When most people hear the word darkness, they imagine something frightening, something to run away from. But in the deep wisdom of Hinduism, there is a darkness that is not evil, not empty, and not something to fear. It is the darkness of the womb before life begins. It is the silence before a great song. It is the sacred stillness that holds all creation within itself, waiting. This is the Tamas of Mahakali. What Is Tamas in the Context of Mahakali? In everyday understanding, Tamas is one of the three Gunas, the three fundamental qualities that make up all of existence. Tamas is generally associated with heaviness, inertia, or dullness. But when we speak of the Tamas that belongs to Mahakali, we are speaking of something far greater and far more sacred. The Tamas of Mahakali is not laziness. It is not ignorance. It is the power of dissolution, withdrawal, and primordial darkness that existed before any world came into ...

Dhata, Vidhata and the Wheel of Seasons: A Mahabharata Teaching on Time - Adventures of Sage Utanka The story of Utanka appears in the Poushya Parva, part of the Adi Parva, the first book of the Mahabharata. Utanka, a young disciple, is asked by his preceptor's wife to bring the earrings of Queen Suryabhasa, wife of King Poushya, as guru dakshina. On his way back, Takshaka, king of the Nagas, steals the earrings, forcing Utanka to descend into Nagaloka, the world of the Nagas, to recover them. What he witnesses there is not a simple adventure scene but a symbolic vision of the machinery of the universe, later decoded for him by his guru. What Utanka Sees In the Naga world, Utanka observes two women seated at a loom, weaving a cloth made of black and white threads. Nearby, a wheel with twelve spokes turns continuously, pushed by six young men, under the direction of a radiant, handsome man. The wheel itself is said to move through 360 divisions in its cycle. Utanka also sees an unus...

The Half-Male, Half-Female Lord – Iconography, Symbolism, and Spiritual Significance of Ardhanarishvara Among the most profound and philosophically rich forms in all of Hindu sacred tradition, Ardhanarishvara stands apart as a singular revelation of divine truth. The name itself is a compound of three Sanskrit words – Ardha (half), Nari (woman), and Ishvara (Lord) – meaning, quite literally, the Lord who is half woman. This form presents Shiva and his consort Gauri, also known as Shakti or Parvati, fused into one undivided being along a single vertical axis. The right half embodies Shiva, the principle of pure consciousness or Purusha, and the left half embodies Shakti, the principle of creative energy or Prakriti. Together, these two halves do not merely coexist – they complete each other, affirming that creation itself is possible only when consciousness and energy are united. The Ardhanari form is attested in Hindu sacred literature with considerable depth. The Linga Purana elabora...

The Sacred Foundation: Parashurama Kalpasutra's Sarvasadharamakramah and the Universal Principles of Divine Mother Worship The Parashurama Kalpasutra stands as one of the most comprehensive treatises on Srividya, the sublime system of Divine Mother worship that has guided spiritual seekers for millennia. Among its ten chapters, the tenth chapter, known as Sarvasadharamakramah, holds particular significance as it establishes the universal principles and common elements that form the foundation of various spiritual practices within the Srividya tradition. The Essence of Sarvasadharamakramah The term "Sarvasadharamakramah" translates to "the method of all common foundations," reflecting this chapter's role as a comprehensive guide to the fundamental practices that underpin multiple forms of Divine Mother worship. Comprising 85 sutras, this chapter serves as a practical manual for practitioners, outlining the essential elements that remain consistent across d...

The Philosophy, Symbolism, and Sculptural Presence of Gaja Hasta Mudra In the sacred arts and philosophical traditions of Hinduism, the human body is not merely a physical form but a vehicle of cosmic expression. Every gesture, every posture, and every placement of the hand carries meaning that transcends the visible. Mudras — ritual hand gestures — are among the most refined expressions of this understanding. Derived from the Sanskrit root that means seal, sign, or gesture of joy, a mudra encodes within the movement of the hand an entire range of theological meaning, devotional intent, and energetic direction. Hindu sculpture, particularly in the classical South Indian tradition, treats the body of a deity as a living text. Each hand speaks, and each finger placement is a language. The Gesture Itself Gaja Hasta, literally the elephant hand, belongs to the nritta or pure dance category of gestures, and appears prominently in both the performing arts and the sculptural canon. The ha...

Pariplava: The Sacred Narratives of Ashvamedha Sacrifice in Ancient Hindu Tradition The ancient Vedic tradition encompasses profound ritualistic practices that transcend mere ceremonial observance, embodying deep spiritual and cosmic significance. Among these sacred traditions, the concept of Pariplava stands as a remarkable testament to the integration of narrative wisdom with ritualistic practice during the most prestigious of Vedic sacrifices - the Ashvamedha Yajna. The Sacred Context of Ashvamedha The Ashvamedha, or horse sacrifice, represents the pinnacle of Vedic ceremonial achievement, traditionally performed by emperors and great kings to establish their sovereignty and cosmic harmony. This elaborate sacrifice spans an entire year, during which the performing monarch undertakes rigorous spiritual vows known as yajmadeeksha, transforming him from a worldly ruler into a sacred vessel for divine communion. Throughout this transformative year, the king must maintain an elevated...

The Man Who Embraces the Feminine: Shiva, Krishna and the Death of Toxic Masculinity Shiva and Krishna are the absolute masculine—they are the perfect male. But at the same time, both had no qualms about embracing the feminine. The Complete Man - Poorna Purusha is created by embracing the feminine. They did not have the insecurity of the modern man who today celebrates toxic masculinity, seeing the feminine as weak or below him. Shiva and Krishna never deny the feminine within the masculine. They are not threatened by the feminine. Their divinity finds a whole new meaning through the femininity they embrace.  We all know how Shiva is Ardhanarishwara, half man and half woman. Krishna has no problem wearing women’s clothes; in fact, he uses the opportunity to dance and celebrate.  Only a true man who has no doubt about his masculinity can embrace femininity. This is not related to strength or power, etc. It is related to oneness—an absolute state of egolessness. Seeing the femin...

When the Big Fish Devour the Small: Matsya Nyaya and the Dharmic Order In the vast ocean of Hindu thought, few concepts capture the tension between chaos and order as vividly as Matsya Nyaya, or the Law of the Fish. The term comes from two Sanskrit words: matsya, meaning fish, and nyaya, meaning justice or law. Together, they describe a condition where the strong prey upon the weak without restraint, where the big fish swallow the small simply because they can. It is the Hindu scriptural expression for what the modern world calls jungle law, or the principle of might is right. Far from being a mere metaphor, Matsya Nyaya is a foundational concept woven through the Puranas, the epics, and the Arthashastra, forming the basis upon which the Hindu understanding of civilization, governance, and dharma is built. The Scriptural Origin: A World Without Order The Shanti Parva of the Mahabharata, the great book of peace and statecraft within that epic, addresses Matsya Nyaya directly. In it,...

Ketu and His Consort Chitralekha: Iconography, Symbolism, and Spiritual Significance in Hindu Temple Art In the sacred cosmology of Hinduism, the Navagrahas — the nine celestial influencers — occupy a position of immense importance in both religious practice and temple architecture. Among these nine, Ketu holds a uniquely mysterious and spiritually potent place. Representing the descending lunar node, Ketu is not a physical planet but rather a shadow force, the severed tail of the cosmic serpent Svarbhanu, whose head became Rahu after the churning of the cosmic ocean. The Vishnu Purana and the Matsya Purana both speak of this celestial event, wherein Svarbhanu, disguised among the gods, was beheaded by Bhagavan Vishnu's Sudarshana Chakra at the behest of Surya and Chandra who recognized the demon. From that moment, both halves gained immortality from the nectar already consumed, and Ketu came to govern karmic liberation, detachment, and the dissolution of the ego. The Rare Iconog...