Tithi in Panchang – Hindu Calendar on Thursday, June 25 2026 – It is Shukla Paksha Ekadashi tithi or the eleventh day during the waxing phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Ekadashi tithi or the eleventh day during the waxing phase of moon till 9 :14 PM on June 25. Then onward it is Shukla Paksha Dwadashi tithi or the twelfth day during the waxing phase of moon till 10 :45 PM on June 26. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on June 25, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Chothi or Swathi nakshatra till 6:21 PM on June 25. Then onward it is Vishakha or Vishakam nakshatra till 8:29 PM on June 26. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Chothi or Sw...

Kalkuda and Kallurti Story: The Divine Sculptors of Tulu Nadu and Their Eternal Justice The Family That Shaped Stone and Destiny In the coastal heartland of Tulu Nadu, where the Western Ghats meet the Arabian Sea and ancient traditions run as deep as the roots of the banyan tree, lives the sacred belief in Daivas, divine spirit beings who once walked among people as flesh and blood. Among the most revered of these Daivas are Kalkuda and Kallurti, worshipped across the Dakshina Kannada and Udupi districts of Karnataka, whose story is not merely a tale of skilled artisans but a profound testament to justice, sacrifice, sibling love, and the power of divine grace. The story begins with Shambu Kalkuda and his devoted wife Ervadi, a couple of humble origins belonging to the sculptor community. Despite their modest means, Shambu was a man of extraordinary vision. He and Ervadi were blessed with four sons, each of whom Shambu trained with dedicated discipline in a distinct craft. One becam...

Chitagnikundasambhuta - First Name of Devi in Lalita Sahasranama - When the Divine Emerges from the Ashes of the Self  The Lalita Sahasranama, one of the most sacred texts in the Shakta tradition, does not begin with a description of beauty, power, or majesty. It begins with fire. The very first name of the Mother Goddess is Chit – Agni – Kunda – Sambhuta (Chitagnikundasambhuta) — She who arose from the Kunda, the sacred vessel, of Chit-Agni, the fire of pure Consciousness. This is no ordinary fire. No wood is consumed here. No physical altar holds this flame. The fire in question burns within the deepest chamber of awareness itself, and what it produces is not heat or light in the conventional sense, but the living presence of the Divine Feminine in all Her fullness. This deliberate choice of the first name is itself a teaching. The text is speaking not merely of a cosmic event that occurred once in some distant age. It is describing the inner mechanics of every genuine sp...

Vachaka Shakti is the inherent potency of a word to communicate a referent. The essential nature of an articulated word lies in its power to communicate a meaning. This power is referred to by the word shakti (potency). This communication is known as abhidhanam, according to early Mimamsakas. A relation between a word and its meaning may be either direct or indirect. The direct relationship is termed by Mammata (11th century CE) as sanketa. If the relationship is abiding and direct, it is called Vachaka Shakti. The Mimamsakas hold this power as a natural relationship with the object which the particular word signifies, and is eternal, since they accept the Vedic knowledge texts to be eternal and unchanging. They are called advocates of Nityasaktivada (doctrine of word power as unchanging. The logicians hold that the relation is conventional and is established by the will of Brahman. For them, will of Brahman is Shakti. What is conveyed through Shakti is Shakyarhta or abhidheya or m...

Lopamudra Devi: The Iconographic Splendor of a Shakta-Tantric Mother Goddess Within the vast and layered tradition of Shakta-Tantric worship in Hinduism, the iconographic representation of divine feminine forms occupies a position of supreme importance. Each attribute, posture, ornament, and gesture encoded in an idol is a deliberate theological statement — a visual scripture in itself. Among the richly conceived forms that emerge from this tradition is the idol form of Lopamudra Devi, a mother-goddess whose iconography synthesizes power, grace, cosmic authority, and maternal benediction into a single, unified image. The Posture and Cosmic Significance Lopamudra Devi is depicted seated in ardha padmasana, the half-lotus posture, a position that is deeply significant in both yogic and devotional traditions. The lotus posture in Hindu iconography universally denotes purity, spiritual elevation, and the transcendence of the material world. The half-lotus specifically suggests a goddess wh...

Krishna’s Victory Over Sakatasura: The Wheel of Samsara and the Path to Liberation In the rich tapestry of Hindu teachings, the episode of Krishna’s encounter with Sakatasura holds profound significance. This story is not merely an account of divine play; it embodies deep philosophical insights about the nature of existence, the cycle of birth and death, and the ultimate goal of liberation (moksha). By exploring the symbolism of Krishna kicking the wheel-demon (Shakatam), we uncover lessons from the Bhagavata tradition, reflections from great masters, and guidance for contemporary life. This article delves into these dimensions, drawing out teachings that invite sincere reflection and heartfelt devotion. The Story of Sakatasura According to the Bhagavata Purana, in His childhood pastimes in Gokula, Krishna encountered many demons sent to challenge and even kill Him. Sakatasura, whose name is derived from “shakatam” (wheel), appeared in the form of a cart or wheel, with the intent to...

Where the Cosmic Serpent Adi Sesha Rests – The Divine Triangle of Tirupati, Ahobilam, and Srisailam In the vast landscape of Hindu sacred geography, few beliefs carry as profound a significance as the presence of Adi Shesha — the primordial serpent and eternal devotee of Lord Vishnu — manifested across three of South India's most venerated pilgrimage sites. According to ancient belief and religious tradition, Adishesha, also known as Ananta or Adhisesha, reclines with his head at Tirupati, his body stretching through the forests and hills of Ahobilam, and his tail resting at Srisailam. Together, these three sacred sites form a divine triangle, a living geography of devotion that devotees have honored for thousands of years. Who Is Adi Shesha? Adi Shesha is not merely a serpent in Hindu understanding. He is the very foundation of creation. In the Srimad Bhagavatam, Shesha is described as the one who holds all the planets of the universe on his countless hoods, representing infinite ...

The Eternal Hum: Sabda Brahman and the Tantric Science of Sacred Sound Long before the first atom stirred, before the galaxies spun into being, before even the concept of creation could be conceived, there was sound. Not the sound we hear with the ear, but the primordial, self-luminous vibration that the Tantric tradition calls Sabda Brahman — the Absolute as Sound, the Divine as Living Resonance. This is not a metaphor. For the rishis, the siddhas, and the Tantric masters who penetrated the deepest layers of cosmic reality, Sabda Brahman was and remains the very pulse of existence, the substratum from which all nama and rupa — name and form — emerge and into which they dissolve. Tantrism, one of the most profound and often misunderstood streams of Hindu spiritual thought, places the doctrine of sacred sound at the very centre of its cosmology, its practice, and its vision of liberation. To understand Sabda Brahman through the Tantric lens is to unlock a complete philosophy of existe...

Beyond Ego: Embracing the Divine as the True Doer Human nature often leans toward taking credit for achievements, believing “I did this” or “I made that happen.” This identification fuels the ego, creating a sense of separation and self-importance. Yet, in the heart of Hindu teaching lies a transformative insight: the individual self is not the ultimate agent; the Divine alone orchestrates all. Recognizing this shifts our perspective from prideful ownership of actions to humble participation in a larger cosmic play.  The Illusion of Egoic Doership The ego thrives on the belief that “I am the doer.” When a project succeeds, the ego basks in praise; when failure strikes, it crumbles or seeks excuses. This fluctuating self-image breeds anxiety, competition, envy, and conflict. In truth, we are instruments—bodies, minds, and senses—through which life unfolds. Resources, talents, opportunities, and even desires arise within a field of forces far greater than our individual selves. To...

Tithi in Panchang – Hindu Calendar on Wednesday, June 24 2026 – It is Shukla Paksha Dashami tithi or the tenth day during the waxing phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Dashami tithi or the tenth day during the waxing phase of moon till 8 :09 PM on June 24. Then onward it is Shukla Paksha Ekadashi tithi or the eleventh day during the waxing phase of moon till 9 :14 PM on June 25. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on June 24, 2026 as per Hindu Calendar – Good and auspicious time on the entire day.  Nakshatra  – Chitra or Chithirai or Chithira nakshatra till 4:40 PM on June 24. Then onward it is Chothi or Swathi nakshatra till 6:21 PM on June 25. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajasthan), Chitra or Chithirai ...