Tithi in Panchang – Hindu Calendar on Tuesday, September 15 2026 – It is Shukla Paksha Chaturthi tithi or the fourth day during the waxing or light phase of moon in Hindu calendar and Panchang in most regions. It is Shukla Paksha Chaturthi tithi or the fourth day during the waxing or light phase of moon till 7 :54 AM on September 15. Then onward it is Shukla Paksha Panchami tithi or the fifth day during the waxing or light phase of moon till 8 :57 AM on September 16. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on September 15, 2026 as per Hindu Calendar – There is no good and auspicious time on the entire day.  Nakshatra  – Swathi or Chothi nakshatra till 4:39 PM on September 15. Then onward it is Vishaka or Vishakam nakshatra till 6:29 PM on September 16. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, ...

From Maheshwara Shiva to Daijizaiten: The Journey of Shiva Across Civilizations - key differences and similarities - a comparison One of the most compelling testimonies to the universality of Sanatana Dharma is the presence of Shiva — the Maheshwara, the Great Lord of all existence — in the spiritual traditions of civilizations far beyond the Indian subcontinent. In Japan, the deity known as Daijizaiten stands as a profound echo of the Shaiva tradition, carried eastward across mountains, deserts, and seas through the living current of Buddhism. This transmission was not mere cultural borrowing; it was the natural overflow of a spiritual vision so vast that no geography could contain it. Who is Shiva in Hindu Tradition? In Sanatana Dharma, Shiva is one of the Trimurti — the three primary expressions of the Supreme: Brahma the creator, Bhagavan Vishnu the preserver, and Shiva the transformer and dissolver. Yet Shiva is far more than one-third of a cosmic equation. In the Shaiva tradi...

The Bull, the Rider, and the Hidden Test of Utanka in Mahabharata The Poushya Parva, a section within the Adi Parva of the Mahabharata, is often read quickly as a preliminary tale before the main narrative of the Kuru dynasty begins. Yet this short episode carries dense teachings on discipleship, obedience, and the quiet presence of the divine in ordinary encounters. It tells the story of Utanka, a disciple of the sage Veda, and his difficult journey to fetch the earrings of Queen Poushya as Guru Dakshina, the offering a student makes to the teacher upon completing his education. The Vow of Guru Dakshina Utanka's education under Rishi Veda was complete, but unlike other students who left without offering anything in return, Utanka insisted on giving Guru Dakshina. His teacher, seeing his sincerity, did not ask for anything directly but sent him to his wife, Gurupatni, for her wish. She asked for the divine earrings worn by the queen of King Poushya. This single decision sets Ut...

The Seeker and the Sought: Why Brahma Alone Remains Not Worshipped In the vast landscape of Hindu religious life, temples to Vishnu and Shiva fill every corner of the subcontinent. Yet Brahma, the creator of the universe, has almost no temples dedicated to him. Only a handful exist in all of India, the most notable being at Pushkar in Rajasthan. For the uninitiated, this seems like a strange injustice. How does the creator himself get left behind? The answer, when seen through the lens of Vedantic metaphysics, is not a slight but a profound philosophical statement about the nature of the soul and its relationship with the Divine. Brahma as Jiva Atma: The Seeking Soul In Vedantic understanding, the universe is populated by two orders of consciousness. One is Jiva Atma, the individual soul that is embedded in creation, caught in the cycles of desire, karma, and experience. The other is Param Atma, the Supreme Consciousness that pervades, sustains, and transcends all creation. This distin...

The Sacred Path of Varahi Worship: Understanding Parashurama Kalpasutra's Seventh Chapter The Parashurama Kalpasutra stands as one of the most comprehensive treatises on Srividya worship, the profound tantric tradition dedicated to the Divine Mother. Among its ten chapters, the seventh khanda, known as Varahikramah, holds special significance as it delves into the sacred worship of Varahi, one of the most powerful manifestations of the Divine Feminine. This chapter, containing 38 sutras, serves as a complete guide for practitioners seeking to establish a deep spiritual connection with this fierce yet compassionate form of the Mother Goddess. The Divine Form of Varahi Varahi represents the boar-faced aspect of the Divine Mother, symbolizing her power to root out ignorance and negativity from the deepest recesses of human consciousness. In the Devi Mahatmyam, she is described as one of the Saptamatrikas (Seven Mother Goddesses) who emerge to destroy demonic forces. The Markandeya ...

Sharira Palakas – The Body Guardians of Murugan in Hindu Iconography In Hindu temple tradition, deities are often accompanied by protective figures placed at entrances, sanctum walls, or outer enclosures. Among the various guardian forms associated with Kartikeya, also known as Murugan, Skanda, or Subrahmanya, is a distinct and lesser-known group called the Sharira Palakas, meaning "guardians of the body" or personal bodyguards. According to the Kumara Tantra, these are eight in number, and remarkably, each bears one of the very names by which Murugan himself is worshipped. The Eight Names The eight Sharira Palakas listed in this tradition are  Shanmukha Shatipani Kartikeya Guha Skanda Mayuravahana Senani Shaktihasta Each of these names is also a well-established epithet of Murugan, referring to his six faces, his spear, his birth among the reeds, his role as commander of the celestial army, his peacock vehicle, and his weapon, the shakti. The use of the deity's own n...

The Two Types of Change: Ancient Hindu Wisdom for Modern Understanding Imagine you have a piece of clay. Sometimes you can shape it into a pot, a bowl, or a beautiful statue. The clay stays the same, but its shape changes. Other times, you might bake it in a fire, and it becomes something completely different - hard pottery that can never be soft clay again. This simple example helps us understand one of the most important teachings from ancient Hindu philosophy about how everything in our world changes. What is Sankhya Philosophy? Sankhya is one of the oldest schools of Hindu philosophy, founded by the great sage Kapila thousands of years ago. The word "Sankhya" means "to count" or "to enumerate," because this philosophy carefully lists and explains how the entire universe works. It teaches us that everything we see and experience can be understood through simple, clear principles. The Sankhya system is closely connected to Yoga philosophy. While Sank...

Widowhood in the Ramayana and Mahabharata: Two Epics, Two Realities - How the Itihasas Portrayed Widows Differently from Later Hindu Society Widowhood, as it is understood in later Hindu society, was not treated as a social affliction in either the Ramayana or the Mahabharata. Both itihasas (histories) present widows as women who continue to hold agency, status, and purpose after the death of their husbands. This stands in contrast to the rigid customs that developed in medieval period with arrival of Muslim conquerors and colonial-era Hindu society, where widows were often expected to live austere, restricted lives. Widowhood in the Ramayana When Dasharatha dies, his three wives - Kausalya, Kaikeyi, and Sumitra - become widows, yet none of them are described as performing Sahagamana (accompanying the husband in death). They continue to live in the palace, participate in royal life, and are consulted on family matters. This absence of Sahagamana in the Ramayana suggests that th...

Kashi's Protectors - Goddess Varahi and Kalabhairava – the Guardians of Night and Day – Symbolism and Meaning There is a rich layer of symbolism, Tantric theology, and local sacred tradition behind the belief that Goddess Varahi serves as the nocturnal guardian of Kashi (Varanasi or Banaras) while Kalabhairava presides over its protection by day. It is important to note that this belief comes primarily from Tantric traditions, local Kashi lore, and oral religious traditions rather than from a single, well-known Purana story that explicitly narrates "Varahi being appointed night guardian of Kashi." The significance is largely symbolic and theological. Varahi's Nature as a Night Goddess Varahi is one of the Sapta Matrikas and the Shakti (power) associated with the boar incarnation of Varaha. In Tantric traditions, Varahi possesses several characteristics that naturally connect her with the night: She operates in hidden realms. She destroys unseen...

Sukriti and Navagraha Shukra: The Divine Consort of Venus in Hindu Temple Sculpture Among the Navagrahas, the nine celestial regents who govern cosmic time and human destiny, Shukra holds a position of singular distinction. Known in astronomical tradition as the planet Venus, Shukra is revered as the preceptor of the Asuras, the Daitya Guru whose brilliance in the arts of statecraft, medicine, and spiritual knowledge was unmatched even among the gods. His very name, derived from Sanskrit, carries the meaning of brightness, purity, and luminescence — qualities that are faithfully translated into his iconographic representation across Hindu temple traditions. The Brihat Parashara Hora Shastra describes Shukra as possessing a splendorous white complexion, with a beautiful body, charming eyes, and a poetic disposition. He is the ruler of desire, beauty, prosperity, and artistic sensibility. In the graha mandala, his influence governs love, refinement, marital harmony, aesthetic grace, an...