Mithya and Sat — The Hindu Vision of Truth Beyond Illusion In everyday Western usage, the word "myth" has come to mean something fabricated, false, or belonging to the realm of fantasy. When someone says "that is just a myth," they mean it never happened and never could. This dismissive understanding, rooted in post-Enlightenment rationalism, has unfortunately been applied to Hindu sacred narratives, stripping them of their profound philosophical depth and treating them as primitive stories invented by an ancient people who did not know any better. This is a fundamental misreading. Hindu thought never used the concept of Mithya to mean falsehood in an absolute sense. Mithya and the Western idea of "myth" are not the same thing. They belong to entirely different frameworks of understanding reality. What Is Mithya? The Sanskrit word Mithya does not mean false. It means that which appears real within a particular frame of reference but is not independen...

The Unseeing Eye — Varuna, Indra, and the Truth That No Eye Can Reach Among all the divine beings that inhabit the cosmos of Sanatana Dharma, Varuna stands supreme as the guardian of cosmic order, Rta, and moral law. His sovereignty over the waters, the skies, and the movements of the celestial bodies is ancient, perhaps among the oldest concepts in the Vedic universe. And yet, with all his majesty and with his legendary thousand eyes — the stars themselves said to be his watchful gaze spread across the night sky — Varuna cannot see That. Indra, the king of the Devas, is celebrated across countless hymns of the Rigveda as the mightiest among the gods, destroyer of Vritra, wielder of the Vajra, and sovereign of the three worlds. He is endowed with a hundred eyes. And yet, Indra too cannot see That. We humans, poor and limited as we are with our two eyes, often speak with great confidence about having understood That. We philosophise about the Absolute, we debate the nature of Brahma...

We all live under the cloud of various fears. We feel secure only when we realize that our true nature is indestructible, as Krishna explains in Chapter 2, Verse 16 of the Bhagavad Gita. We feel insecure when we limit our identity to this perishable body. The body can perish at any moment, but the energy within it cannot be destroyed. It is the same fundamental energy that pervades the known and unknown universe. There was never a time when this energy did not exist, nor will there ever be a time when it ceases to exist. Death, destruction, the fear of losing, and every other form of fear can threaten and pull us down only when we identify ourselves with the body. When we believe, “I am this body,” everything that happens to the body begins to threaten our sense of existence. The body is only a vehicle for a limited period of time. Its purpose is not to give us permanent fulfillment, because everything associated with the body is subject to change and decay. Our deeper purpose is to sh...

Tithi in Panchang – Hindu Calendar on Monday, August 31 2026 – It is Krishna Paksha Tritiya tithi or the third day during the waning or dark phase of moon in Hindu calendar and Panchang in most regions. It is Krishna Paksha Tritiya tithi or the third day during the waning or dark phase of moon till 8 :28 AM on August 31. Then onward it is Krishna Paksha Chaturthi tithi or the fourth day during the waning or dark phase of moon till 7 :15 AM on September 1. (Time applicable in all north, south and eastern parts of India. All time based on India Standard Time.)  Good – Auspicious time on August 31, 2026 as per Hindu Calendar – Good and auspicious time after 8:51 AM.  Nakshatra  – Uttara Bhadrapada or Uthrattathi nakshatra till 4:31 AM on August 31. Then onward it is Revathi nakshatra till 4:04 AM on September 1. (Time applicable in north, south and eastern parts of India).  In western parts of India (Maharashtra, Gujarat, Goa, north Karnataka and south Rajas...

Chanda Bhairava: Wrath, Grace, and the Southern Flame of Tantric Wisdom In Hindu Tantra Shastra, Bhairava stands as one of the most powerful and awe-inspiring manifestations of Shiva. He is not merely a deity of destruction but a cosmic force that dissolves illusion, burns karmic accumulation, and initiates the sincere seeker into deeper truths. Among his many forms, the Ashta Bhairavas — the eight principal manifestations — hold supreme importance. Each of these eight rules over a cardinal or intermediate direction, governs a specific cosmic function, and embodies a distinct aspect of Shiva's infinite power. Together, they are understood to protect the entire universe in its eight directions. Chanda Bhairava is one of these eight, presiding over the southern direction, and his presence in Tantric worship is both fearsome and profoundly liberating. The Name and Its Meaning The name Chanda carries deep significance in Sanskrit. It means fierce, passionate, violent, or intensely ...

The Tree of Passion: Duryodhana's Symbolism in the Mahabharata In the Anukramanika Parva, the very first chapter of the Mahabharata, sage Vyasa offers a striking metaphor even before the main narrative unfolds. Duryodhana is described as a great tree born of passion and anger. Karna forms its trunk, Shakuni its branches, Duhshasana its abundant flowers and fruits, and the unwise Dhritarashtra its root. This single image, placed at the very threshold of the epic, sets the tone for the entire story of the Kauravas and their eventual destruction. A tree grows only as strong as its root allows. If the root is diseased or weak, no amount of flowering or fruiting can save the tree from eventually collapsing. This is precisely the fate the Mahabharata foretells for Duryodhana's lineage through this early metaphor. The Root: Dhritarashtra's Failure Dhritarashtra, blind from birth, carried a deeper blindness of judgment. His excessive attachment to his son made him overlook Du...

Among the distinctive sacred images preserved in Nepal is the Chaturmukhi Vishnu, a rare four-headed form of Bhagavan Vishnu associated with the classical Newar tradition of stone carving. The image represents a highly developed understanding of divine form in Hindu sacred art, where multiple heads, arms, attributes, vehicles and accompanying deities communicate philosophical ideas through visual language. In the form described in Nepalese sculpture, Bhagavan Vishnu has four heads. The central and principal face represents Vishnu. On one side is the face of Varaha, the boar incarnation, while on the other is Narasimha, the man-lion incarnation. Above the central face is another human face, traditionally understood in some interpretations as Krishna or Rama, although its precise identity may not always be possible to establish from the surviving sculpture. The deity is depicted with ten arms carrying different weapons and attributes. Lakshmi is seated on his lap, while one of Vishnu...

Goddess Virupaci of Aani Masam — Sacred Form, Seasonal Power and Sculptural Tradition In the Tamil Shaiva tradition, time itself is understood as sacred and inhabited by divine presence. Each of the twelve Tamil months, known as masams, is presided over by a specific goddess. Together, these twelve goddesses are collectively venerated as the Dvadasa Masa Devis — the twelve monthly goddesses. This tradition reflects a deeply rooted understanding in Hindu thought that the cycles of nature, the turning of seasons, and the movement of time are not merely astronomical phenomena but expressions of Shakti, the living divine energy. For the third Tamil month of Aani, the presiding goddess is Virupaci, a deity of particular power, grace and symbolic depth. Aani Masam and Its Sacred Context Aani, the third month in the Tamil calendar, generally falls between mid-June and mid-July. It is a month of heightened solar intensity and the onset of seasonal transition in the Indian subcontinent. The...

Sitaipandi — The Sacred Solitaire Sita Wove from Silence — a game of seven pits, twenty-eight seeds, and one undefeatable soul. Tucked within the vast ocean of Hindu tradition and the living memory of the Ramayana is a quietly remarkable game — Sitaipandi, meaning "the game of Sita." It is a form of solitaire, played alone in the earth itself, using nothing more than a row of seven small pits and twenty-eight tamarind seeds. It is said to be the first game ever designed by Mata Sita during the months of her captivity in Lanka, when Ravana held her prisoner in the Ashoka Vatika. The Valmiki Ramayana, in the Sundara Kanda, paints a vivid picture of Sita seated beneath the Shimshupa tree in the grove, surrounded by Ravana's guards, her heart steadfast in devotion to Rama. It was here, in this enforced stillness, that she is believed to have created Sitaipandi — not out of despair, but as a means of anchoring the mind, ordering thought, and passing time with spiritual inten...

When Your Body Itself Is Undergoing Change, Why Seek Permanence in the Perishable? We are remarkably good at seeking permanence in things that are, by their very nature, temporary. Consider the body itself. Every day, thousands of cells undergo apoptosis—a carefully regulated process of programmed cell death. This is not biological failure. Quite the opposite. It is a necessary form of controlled sacrifice that helps shape tissues, remove damaged or unnecessary cells, and maintain the delicate balance that keeps us alive. In other words, your body is constantly rebuilding itself by knowing when a cell must leave. We Seek Permanence in Perishable Things Think about that for a moment. The body you are desperately trying to preserve is itself a process of continuous change. Cells die. New cells emerge. Tissues repair themselves. Hair falls out. Skin renews itself. Even the food you ate five minutes ago is already becoming part of a completely different biological story. And yet, som...