The main difference between the Ranganatha and Ananta Shayana forms of Vishnu is that in the Ananta Shayana form, there is a depiction of Brahma seated on a lotus that arises from Vishnu's navel, whereas in the Ranganatha form, this specific depiction is absent. The right hand of Ananta Shayana form of Vishnu touches a Shivling. Ranganatha form uses right hand as a pillow to sleep. There are several additional differences and unique characteristics associated with these two forms:
These differences are based on the Ananta Shayana form of
Vishnu worshipped in Thiruvananthapuram Padmanabha Swamy Temple and Ranganathaswamy
worshipped at Srirangam Temple.
Ananta Shayana Form
- Depiction:
- Vishnu
is depicted reclining on the cosmic serpent Ananta (also known as
Adishesha or Sheshanaga).
- The
serpent has multiple hoods, which form a canopy over Vishnu's head.
- Brahma
is shown seated on a lotus that emanates from Vishnu's navel.
- The
right hand extends to touch a Shivling.
- Symbolism:
- Represents
the cosmic slumber of Vishnu, where he is in a state of yogic sleep,
signifying the cycle of creation, preservation, and destruction.
- Brahma
emerging from the navel represents creation, while Vishnu's recline on
the serpent signifies sustenance and the cosmic balance. Touching of
Shivling symbolizes cycle of creation and the continuous transformation
that is taking place in the universe.
- Iconography:
- The
Ananta Shayana form is rich in symbolism related to cosmic cycles, the
balance of the universe, and the interplay between creation and
preservation.
- Temple
Associations:
- Found
prominently in South Indian temples, such as the Padamanabha Swamy Temple
in Thiruvananthapuram, Kera.
- It
must be noted here that there couple of other lesser known temples in the Ananta
Shayana form of Vishnu and the murti worshipped here is slightly different
from the Padamanabha Swamy Temple.
- Depiction:
- Vishnu
is also depicted reclining on Ananta, similar to the Ananta Shayana form,
but without Brahma on the lotus.
- His
head rests on the right hand, and the left hand may extend along the side
or rest on his body.
- Symbolism:
- Primarily
focuses on the aspect of Vishnu as the supreme protector and preserver of
the universe.
- Emphasizes
the divine rest and the peaceful, meditative state of the deity.
- Iconography:
- The
Ranganatha form is often simpler in depiction compared to Ananta Shayana,
focusing more on Vishnu's divine and majestic presence rather than the
cosmological aspects.
- Temple
Associations:
- The
Ranganatha form is the central deity in many South Indian Vishnu temples,
such as the Ranganathaswamy Temple in Srirangam and the Ranganatha
temples in Karnataka and Tamil Nadu.
Additional Differences
- Cultural
and Ritual Significance:
- The
Ananta Shayana form is often associated with stories from the Puranas and
the Mahabharata, emphasizing the cosmic functions of Vishnu.
- The
Ranganatha form has a deep connection with the Vaishnavism tradition in
South India and is central to many local legends and temple rituals.
- Artistic
Representations:
- Ananta
Shayana depictions may include elaborate carvings and murals showing the
cosmic ocean, other deities, and celestial beings, reflecting its
cosmological significance.
- Ranganatha
depictions tend to focus on the serene and majestic nature of Vishnu,
with less emphasis on the surrounding cosmological elements.
In summary, while both forms represent Vishnu in a reclining posture on the serpent Ananta, the presence of Brahma on the lotus in the Ananta Shayana form marks a significant iconographic and symbolic difference. The Ranganatha form, meanwhile, emphasizes Vishnu's protective and serene nature without the cosmological elements associated with creation.